Entertainment Earth

9/17/2018

REVENGE (2017) (Review)

Title: Revenge
Writer/ Director: Coralie Fargeat
Cast: Matilda Anna Ingrid Lutz (as Matilda Lutz), Kevin Janssens, Vincent Colombe
Min: 108
Year: 2017 (released in the US 2018)

Beautiful, American born Jen (Matilda Lutz) is in a secret relationship with married and wealthy French man Richard (Kevin Janssens). Together, they are on a secret getaway at a house that he owns in the middle of the desert. There, he will later meet up with two of his hunting buddies, Stan (Vincent Colombe) and Dimitri (Guillaume Bouchède). But, they end up arriving a day early, surprising the couple.
That night they have a fun night of drinks. Jen dances provocatively, as the men have their eyes on her body. The next day, while Richard is away, Stan tries to get Jen to have sex with him, claiming that by the way she was dancing, she was coming on to him. When she shoots him, he gets pissed off and rapes her. Dimitri sees what is happening and does nothing, ignoring what is happening. When Richard comes back, Stan tells him what has happened. Richard tries to pay off Jen, so that she won't tell anyone. To which she responds that she will tell Richard's wife everything. They chase after her. But, as they reach a cliff, Richard pushes her off of it. She falls and lands on a tree becoming impaled. She doesn't die, though, and soon she begins her revenge on the three scumbags.

Revenge is a French (that has both English and French dialogue) rape-revenge movie that has been receiving much deserved massive critical adoration. It is without question the best movie of the sub-genre since Abel Ferrara's masterful Ms. 45 and one of the very best movies of the year. In fact, the flick is a modern genre masterpiece that will be studied and talked about in the years to come.
Writer/ director Coralie Fargeat has made one of the most exciting and breathtaking directorial debuts in the genre in many a moon. It is has a strong and true feminist view which sets apart from many of the most renowned movies this kind, all of which are made by men. Her message is clear and very much in key with the current world of the "me too" movement. It clearly states that no matter how a woman is dressed or however one might perceive her behavior to be, no is fucking no, and that is the end of it. So, don't be a fucking scumbag.
At the beginning of the movie, the camera ogles and worships the beauty of Jen. The way her body is framed and centered on acts as the male eye. But, she is more than a sex object. And, as she begins her bloody vengeance she becomes  a strong and powerful character, that we cheer on as she takes on the pieces of shit who wronged her in such horrible manners.

Fargeat is also great at breeding tension. The camera follows the hunted and the hunters, raising the blood and getting your pulse going. You hope and cheer as she offs the next asshole, and one worries that she doesn't get herself hurt or worse. The camera also always makes the environment clear and easy for the audience to understand, adding to the suspense. The pitch perfect editing and cutting, many times back and forth, further adds to pulse pounding, edge of your seat feel.
Beyond that, the movie is beautiful to look at. I am only referring to Lutz' inherit beauty. The movie's colors pop and blister, especially in the desert heat. Fargeat also makes the violence extremely graphic, including some of the most blood spraying squibs you are likely to see and sets drenched in splattered blood.
All four of the actors are excellent. Our three villains are detestable male chauvinist pigs, bought to reality by the actors portraying them. They never enter the realm of camp or of over-the-top indulgence. Janssens, in particular, makes for villain that you cannot wait till he gets his comeuppance. 

Lutz, though, is the movie's true star. And, this film never let's you forgot that. She is the centerpiece and the heart of the story. As such, the actress does an amazing job of bringing Jen to life. This is a tour-de-force role and the single breakthrough performance of the year, so far.
Revenge is an unbridled masterpiece. It takes the rape-revenge movie into feminist territory that it has long flirted but never fully committed to. The movie is expertly directed and edited. Intense and brutally violent, it grabs your attention and never lets it go. Beautiful to look and with a never more appropriate than now theme, the flick is a timely masterwork. With excellent acting and a career defining performance by Lutz, it achieves cinematic success after cinematic success. Available on DVD and Blu-Ray and exclusively streaming on Shudder, there is no excuse for fans of revenge and quality, but bloody, genre film-making to miss this one. 


4 out of 4

11/01/2015

I Spit on Your Grave III: Vengeance Is Mine (2015) Review

My latest review for best-horror-movies has me taking on the latest installment in what is perhaps the most infamous franchise of all time: I Spit on Your Grave III: Vengeance Is Mine. You can read it here: http://horrorfreaknews.com/i-spit-on-your-grave-iii-vengeance-is-mine-2015-review/601

And, while you're at it, read my reviews for the two preceding installments which I also reviewed for the aforementioned site. 
I Spit on Your Grave (2010)- http://themastergio.blogspot.com/2012/10/the-collection-nycc-panel-i-spit-on.html
I Spit on Your Grave 2 (2013)- http://themastergio.blogspot.com/2013/09/i-have-another-review-up-at-best-horror.html

8/31/2015

A Tribute to Wes Craven: Master of Horror Pt. 1: From the Last House to the Serpent


Last night, I was looking at my Twitter feed, when I saw a tweet mentioning that Wes Craven, one of horror's true master directors, had passed away. I didn't wanna believe it. At first, I found no articles, just an increasing amount of tweets, then it was confirmed. Craven had died of brain cancer on Aug. 30, 2015, at 76 years of age (he had been born Aug. 2, 1939). I was devastated and deeply heartbroken.

Craven was one of my heroes growing up. He, along with other horror masters, influenced my love of film and made me want to make films of my own. His movies shaped me and became a huge part of my life. I struggled with what would be a suitable way for me pay tribute to him. After all, this one hurt, a lot. I was crying reading about his passing and seeing the outpouring of love from friends and fans. I thought what could I write here? Then it hit me, I will talk about certain and somewhat select batch of his movies and how or why they influenced/ affected me and/ or my thoughts on them. But, basically, if I don't mention the movie, I either never saw it, or I think it flat out sucked.

He has made definitive classics, and gave birth to two genuine franchises and villains: A Nightmare on Elm Street and Freddy Krueger and Scream and Ghostface. Not everything he made was great, in fact he made some genuine crap. But, like I already stated, I won't focus on the shit,  and why should I? So without any further wasted adieu, here are few words on some of his movies, in the order they were released:

The Last House on the Left (1972)- Along with future Friday the 13th director Sean Cunningham (here as producer) they gave us one of the very best rape-revenge films ever made, in this one. A brutal and shocking film, it is near perfect, sans the uneven acting from the parents, but most of all the unneeded humor provided by the dumb cops.
Regardless, I recall watching this classick with my grandpa, when as a young teen, I rented it on VHS. We both loved it, but I was definitely numb by the level of viciousness and uncompromising violence contained in the movie. Both Craven and Cunningham were, themselves, shocked by this movie. Combine it with his next film, and they stand for a side of Craven he would never fully indulge again. I admit, I always kind of wished he would have. The remake, by the way, is just meh.

The Hills Have Eyes (1977)- Streamlined and with none of the faults that Last House had this brutal and badass movie, stands as one of the seminal horror movies of the 70s. I recall watching this movie with one of my then best friends, and being floored by it. The vicious violence and exhilarating climax ranks as some of the most in your face quality and rousing horror film making around. Plus, like his previous film, and later films, he gave us great villains (Pluto!). Only now the heroes were equally compelling. Plus, the dog kicks fucking ass!
Craven would later make an awful sequel to this classic. And, this movie, itself, was later remade into a good film, which inspired it's own shit eating sequel.


Swamp Thing (1982)- I remember when this came out, I wanted to see it sooo badly! I mean I loved horror, monsters, and superheroes, by this point in my life and this had all of that! It got me to read the comic, which became my all time favorite horror superhero. The movie itself is just OK, but it's memorable due to the acting and Adrienne Barbeau, and her breasts (even in the PG cut they look great!). And, of course, Craven's considerable talents.

A Nightmare on Elm Street (1984)- This is his crowning masterpiece. If he only made this, then that would've been enough for him to live in horror history forever. Whatever, one thinks of the sequels, like Friday the 13th and Halloween, it stands head and bloody shoulders above them (though the finest entries in the Nightmare series are great films in their own rights). Far darker and scarier than the following installments, what this movie did with it's budget memorized me as a child. The gore, the babes, the classic lines and  classic imagery, and of course, Freddy, all captivated me and still do to this day. This movie is not only my favorite of his, but my third favorite film of all time. I believe it to be the single greatest slasher film ever made. OK, OK, I'll stop professing my love for this one and move on.

Deadly Friend (1986)- Wait, I thought he said we were not gonna talk about his sucky movies! That's what you're thinking right? Well, yeah, but as bad as this one is, and it's pretty fucking bad, I did like it, at least a kid. Maybe, I liked it cause it so bad and so stupid. I mean dude falls in love with beautiful girl next door (Kristy Swanson), then puts a robot brain in her after she is killed. She then comes back to life, but is no longer a good girl. She acts like a robot and the ending is horribly, and I do mean HORRIBLY ridiculous and awful. But, I do think that that is what makes it so much fun. Or maybe it's the gore that I like, in particular the mean old lady whose head gets crushed by a basketball and explodes. Even, if you understandably hate the movie, you gotta agree that scene fucking rules. Or maybe, in the end, I liked this one just cause I had a HUGE crush on Swanson. Actually, yeah, that's the main reason I enjoyed this one. Judge me then, if you must!

The Serpent and the Rainbow (1988)- Unlike Romero's zombie films, this one tries to stay within the confines of real life, more or less. And, for that reason it sets itself apart. The trailer to this was pretty captivating and scary for me as a kid. The whole voodoo aspect and it's basis really make this one a fascinating watch. Bill Pullman is great in the lead role, and even my family, whom I saw it with, liked this one. Actually, this might be the best movie to deal with voodoo (yes, I like it even more than Angel Heart). It loses itself a bit in the ridiculous climax, which goes too Freddy and over-the-top, but this remains a nice addition to Craven's filmogrpahy.

To be continued...

9/25/2013

I SPIT ON YOUR GRAVE 2 (2013) Review

I have another review up at best-horror-movies.com today. It's for the highly anticipated and brutal rape-revenge sequel I Spit On Your Grave 2. I know a couple of you guys really wanted to hear my thoughts on it; so if you go to http://www.best-horror-movies.com/review?name=i-spit-on-your-grave-2-2013-review you can read them there.

7/01/2010

The A-Zs of Horror, Pt. 2 (N-Z)

N is for NUDITY- Few genres, outside of sex comedies or porn, rely so heavily on nudity as many horror films do. This is particularly true when it comes to low budget movies or slasher films. Didn't it suck ass when in the 90s, there would be all these hot babes in slasher movies like Scream or I Know what You Did Last Summer, and yet none of them showed skin? That was an epic fail, dear readers! Thank God, movies like the Hostel films and My Bloody Valentine 3D (whose beautiful and fully nude Betsy Rue is pictured to the left) are giving us fans skin in horror movies that are released on the big screen, again! Yay!


O is for OLD SCRATCH- As in Lucifer, Satan, the Prince of Darkness, the Lord of Flies, the Devil, etc. Satanic horror is probably one of my favorite subgenres. He can possess a little girl, have a child with Mia Farrow or a jackal, battle two heroic brothers or the Governator in hopes of succeeding in defating them and bringing forth the end of days, wage a fight with a heavy metal signer, etc. Point is whatever he is planning is not good for mankind. Nope, cause when horror's ultimate villain is behind the evil deeds, you know shit is gonna go bad for us people.

P is for PSYCHO- Hitchcock's best movie is one of the greatest and most influential horror films ever made. It shocked people back then, and while tame today, it still holds up excellently. It also gave us the first human monster to eventually get his own franchise in the form of Norman Bates, played by the late great Anthony Perkins. plus, it also made taking showers a lot more scary!





Q is for Q (QUETZECOATL)- Q is Larry Cohen's cult favorite about Quetzecoatl, the Aztec god that has made his home at top of the Empire State building (giant monsters love it there, apparently!). It's a great example of how despite a low budget great talent behind and in front of the camera can make for an awesome film. It's also considerably bloodier than most giant monster films. If you have never seen it, you need to get your fucking ass off of the couch, chair, bed, whatever and see it now!





R is for RAPE/ REVENGE- Perhaps the most infamous of all of horrors' sub-genres. Films like Ms. 45, The Last House on the Left, House on the Edge of the Park, Irreversible, and, the most infamous of all, I Spit on Your Grave rank among the most controversial movies ever made. The premise is simple enough, a girl (or girls) get raped, and either she or a loved one(s) exact the frequently bloody vengeance. What makes this different, than say a slasher film, is the fact that those getting it clearly deserve it.

S is for SHARKS, SNAKES, SNAILS, AND OTHER KILLER ANIMALS- Killer animal movies have been with us since the Hitchcock classic The Birds and are, thanks in large part to the Syfy channel, WAY over done in nowadays. That said Jaws remains the best of them all. But, thanks to these movies birds, sharks, snakes, snails, killer whales, rabbits, roaches, frogs, rats, dogs, cats, etc. have all been made into our enemies. And, yes, some of these are pretty ridiculous and ludicrous choices to threaten mankind!

T is for THE TEXAS CHAINSAW MASSACRE- This remains the single scariest movie ever made. Introducing us to Leatherface and his cannibalistic family, it gave us a damn good reason to never go to the Lone Star State. It would go on to give us lots of sequels, a remake, and a prequel to the remake, all with various degrees of success. Regardless, none of them can touch Tobe Hooper's relatively bloodless and utterly terrifying classic.


U is for UNWATCHABLE- Man, there sure are lots of bad movies out there. These include some truly terrible, terrible horror movies. The worst of which (the Leprechaun movies, most of The Howling sequels, The Witchcraft series, remakes like Psycho, One Missed Call, The Fog, etc.) can make you feel like ripping out your damn corneas, just to put an end to the fucking horror.


V is for VAMPIRES- Perhaps the oldest of horror subgenres, vamps have been featured in countless of horror movies for the longest of time. From Nosferatu to Horror of Dracula to From Dusk Till Dawn to 30 Days of Night bloodsuckers have terrorized, seduced, and drank blood on the big screen. They have been villains, lovers, heroes, killers, and/ or lost souls as so many have interpreted them in their own way. While, this has led to some terrible and questionable inclusions, like the shit sucking Twilight series, it has given continuous life to the undead. The fact that they have been in comics (even battling superheroes like Superman, The X-men, Spider-Man, The Punisher, etc.) , books, and TV (including some of the best horror shows like The X-Files, Supernatural, and of course, Buffy: The Vampire Slayer, Angel, and True Blood), means that they far out weigh all other horror monsters in appearances.

W is for WEREWOLVES- The natural counterpart to the vampire. If vamps signify our sexuality, then werewolves represent the animal inside. There are three basic looks for them: the ones that look more human (The Wolfman, Curse of the Werewolf), the ones that turn into actual wolves or wolf like beasts (Wolfen, True Blood, An American Werewolf in London), and, my personal fav, those that become hulking beasts (Dog Soldiers, The Howling, The Underworld Trilogy). No one has ever really explained this, expect to say that it is up to the filmmaker to decide which he likes. In the case of Universal's classic Wolfman both the the actual Wolfman and the wolf creature (who, in fact, bites Talbot) are featured. And, like vampires. they too, have been shown to have the potential be both hero and villain.

X is for XXX-RATED HORROR- Porn and horror seem like a natural combination due to the fact that sex and nudity play such a large part of the genre and the fact that the conservative minded have damned them both. And, while there are quite a few pornos that feature sexy witches or vampires, few have actual violence and gore, since that is usually considered a no-no in the industry. Thankfully some have the, er, balls to do it. From Joe D'Amato's work like Erotic Nights of the Living Dead or Porno Holocaust to more modern movies like The Wicked or BurningAngel's Re-Penetrator and The XXXcorsist show that hardcore fucking and sanguinary spillage go hand in hand. So, you can jerk-off and be amazed by the bloody spectacle all at the same time!

Y is for YUCK- Yes, horror movies can be gory, but some are down right gross. And, while it all depends on the tone of the film (from movies meant to be funny to those that are serious in tone to those that are down right disturbing), they manage to make us reach for barf bag by including acts of gross-out action such as: bums that melt like piles of slime, a human fly that barfs corrosive liquid on you, Devil possessed little girls spewing pea-soup, guys and/or a girl into corpse fucking, or being connected ass to mouth. In all good times for those of you with weak stomachs. BLARG!!!!!!

Z is for ZOMBIES- My absolute favorite sub-genre in horror. While, the living dead have been with since the golden age of horror with White Zombie it was George Romero that defined them in Night of the Living Dead. From there we got the modern, traditional version of them. They are the resurrected dead hungry for human flesh. The only way to stop then? Shot them in the head or destroy their brain some other way. Of course, if we are talking about Return of the Living Dead only dismemberment can stop them. It goes without saying that slow zombies rule. Fast zombies are lame idea, I think. Just remember that once you get bit, you become a zombie, yourself, meaning that like vampires (although depending on what you are watching turning might involve more than just that with bloodsuckers) and werewolves, they can spread their condition. Oh, and to be a true zombie you MUST BE DEAD! End of fucking story.

Hope you enjoyed this. I know I had fun writing it. I might do something similar for porn and pro-wrestling somewhere down the line. For now, here is the first half, in case you missed it: http://themastergio.blogspot.com/2010/06/a-zs-of-horror-pt-1-m.html

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