9/28/2018

(Video) Mezco Toyz One:12 Collective Wonder Woman (Toy Review)

I recently got to review the amazing Mezco One:12 Collective Wonder Woman. Based on the look from the DCEU and as portrayed by the lovely Gal Gadot, this is a gorgeous figure.

Check out my review in the video, below:


Photography and video shot by myself
Video edited and rendered by BAS Photography & Design 
Wonder Woman trailer footage is not mine. It is property of Warner Bros and DC comics. It is under the Fair use agreement for review.

9/26/2018

ABELLA DANGER STARS IN SWEET SINNERS GRIPPING FEATURE ‘PAPARAZZI’

Pic courtesy of Mile High Media and Sweet Sinner. 


From the Mile High Media press release:
 
Jacky St. James Directs a Tale of a Woman’s Struggle to Make It in the Decadent World of Hollywood’s Paparazzi!
 
MONTREAL, Quebec(Sept. 26, 2018) – Adult superstar and 2016 AVN/XBIZ/XRCO Best New StarletAbella Danger takes on the world of celebrity photographers in director Jacky St. James erotic drama, “Paparazzi,” from Mile High Media’s couples’ erotica studio Sweet Sinner.The gripping feature is now available on DVD.




Written and directed by Jacky St. James, “Paparazzi” stars Danger in the leading role along with Ivy Wolfe, Jade Nile, Mona Wales, Tommy Gunn, Chad Alva, Small Hands and Ramon Nomar in an erotic tale of the twisted underside of Hollywood’s celebrity culture. The DVD features four hardcore sex scenes shot in HD along with exclusive behind-the-scenes footage, a slide show and more. 
 
“The lovely Abella Danger shows her dramatic and erotic side with intensity and complete abandon as a young paparazzo staking her claim as a photographer in Hollywood,”St. James said. “She shows us the seedier side of show biz as her character loses herself to her passion and ambition as she plays opposite our talented cast who perfectly embody these gorgeous, but flawed people in this erotic drama.” 
 
Critics can’t say enough good things about St. James newest feature. Don Juan DeMarko of Xcritic comments, “Just finished screening the film. Speechless. I just cannot put into words how good this film is. Ivy's role, one of the best damn acting jobs & sexual performance combinations I've ever seen in a new starlet. Small Hands, my goodness, he is a true performer.” 
 
He continues, “Script, the story, it has so much depth and it truly keeps the audience wanting more. How many times can that be said these days? Jacky, I can tell so much was put into this film. It is truly a masterpiece.” Read the full review here: https://www.xcritic.com/review/44543/paparazzi/
 
“Paparazzi” tells the story of Desi, who moved to Hollywood with her boyfriend Danny, hoping that her dreams of becoming a famous photographer would come true. But, when it doesn’t, she resorts to taking “celebrity photographs” to make ends meet. It’s a tough job with tougher consequences when she realizes that to succeed as a paparazzo she has to abandon all ethics and morals and go after the money shot. As Desi falls deeper into the world of celebrity – pushing already fragile people to their near breaking point, she gets off on the power she has to control people’s lives. Her inability to discern right from wrong anymore concerns Danny, who begins wondering whether he has completely lost his love to the dark side – or if she can be saved from Hollywood.
 
Box art and feature information can be found at Mile High Media’s site here: http://www.milehighonline.com/product/movie/4415.  
 
For the latest on “Paparazzi” fans can followSweet Sinner online at www.Twitter.com/SweetSinnerXXXand https://www.instagram.com/officialsweetsinner/
 
Watching a Sweet Sinner movie with a lover is part of the appeal of the studio.  With real lovemaking and real orgasms, Sweet Sinner provides a new kind of couple’s oriented erotica. Each sex scene is filmed in its entirety, revealing the true chemistry and connection transpiring on screen. The results are adult movies hot enough for him and passionate enough for her. For more information, visit www.SweetSinner.com
 
For production stills and content, log on to Mile High Media’s Press Access site: http://milehighonline.com/press/.  Media seeking to be qualified may email Dusty at Dusty@DustyInk.com.
 
About Mile High Media:

Mile High Media has been a pillar of the adult industry for over 25 years.  The Canadian managed company began as a Canadian licensee for American adult movies, ensuring it distributed only the highest quality content.  Understanding the diverse and ever changing needs of its consumer base, Mile High determined the best way to provide a wide array of superior entertainment was to produce its own content.  In 2003, Mile High launched Doghouse Digital, the first of its acclaimed lines catering to specific niches.  Growing market trends and demand led Mile High to then create Sweetheart Video (lesbian line), Sweet Sinner (couple line), Reality Junkies (reality gonzo line), Male Reality (gay reality gonzo line) and recently launched Icon Male (gay romance line) and TransSensual (TS romance line).  With over 2500 titles, Mile High’s studios yield some of the most viewed adult movies in the world, available on all platforms, including broadcast, IPTV, VOD and mobile applications.  Mile High is a continual trendsetter, earning AEBN.net2012 Studio of the Year title and FSC 2016 Production Company of the Year.  For more information, visit www.MileHighOnline.comor www.Twitter.com/MileHighMovies.

9/23/2018

THE BASEMENT (2018) (Review)

Title: The Basement
Director: Brian M. Conley
Writers: Brian M. Conley, Nathan Ives
Cast: Mischa Barton, Bailey Anne Borders, Cayleb Long, Jackson Davis, Christa Conley
Min: 90
Year: 2018

Craig Owen (Cayleb Long) is married to the beautiful Kelly (Mischa Barton). One night, he goes to the bodega. There, he gets a text from a woman, who we later learn is Bianca (the gorgeous Bailey Anne Borders) best friend of Kelly, herself. Anyway, he never makes it back home to his lovely wife, as he ends up getting kidnapped. When he awakens he finds himself, tied to a chair in a basement (well, that is the movie's title, after all). He is prisoner to Billy (Jackson Davis) an LA based serial killer. Billy begins to use different outfits and personas to relive his capture, adding in torture and what would have been his imminent execution. Craig tries to get through to Billy and gain his empathy. But, Billy's sanity continues to deteriorate. And, in the meantime, Kelly asks if anyone has seen her husband, including talking to Bianca. All while, shit begins to get worse and worse for him, at the insane hands of Billy.
The Basement is best described as Split meets a more mature version of Hostel. It presents an interesting if not wholly original idea. The intimate setting and small cast allow for both its high and low points. This resulting in an uneven but watchable experience.

Aside from the obvious comparisons to the two aforementioned horror movies, especially M. Knight Shyamalan's Split, the biggest problem with the movie is its pacing. Not a whole lot happens during its hour, expect a lot talking and some torture. Admit ably whenever the later happens it's very intense and brutal punching you back to be awake. The other times, though, it is really just a crazy dude in a bunch of outfits talking crazy shit to a British guy, who is tied up and scared shitless. I almost ended up not liking this movie cause of the slow pace, however, by the last half hour I became invested in it.
As such, I am glad I had the patience to keep watching it because the last half hour is intense and unmitigated merciless. Stabbings, slicings, and one of the most vicious uses of a blowtorch in recent memory result in powerful moments. The climax is nasty with a good ending that serves as a nice way to wrap everything up.

But, even if at times it is kind of boring, the one that really always works is the excellent acting. Our two male leads Cayleb Long and Jackson Davis, as Craig and Billy respectively, are great. They play off of each other wonderfully and really bring their characters to life. Extra credit must be given to Davis, who has the hard task of playing one character who, himself, plays lots of other characters. Each of them are suitably distinct, while still keeping Billy in the undercurrent. I am a long time fan of the gorgeous Mischa Barton, best known for acting on the TV show The O.C. She is likable and, of course, incredibly beautiful here. I would honestly love to see her in more genre movies, so long as she is given a good role, like in this one, and is not wasted as was the case in Apartment 1303 3D.
The Apartment is ultimately a decent flick. It can be a little on the boring side with a first hour where not a whole lot happens. And, it comes off a bit reminiscent of other more popular horror flicks. However, if you have the patience, it does pay off. The last half hour is intense and brutal, and I kind of dug the ending. Well acted throughout, you could a whole lot worse, than watching this serviceable take on torture porn.


2.5 out of 4 

9/17/2018

REVENGE (2017) (Review)

Title: Revenge
Writer/ Director: Coralie Fargeat
Cast: Matilda Anna Ingrid Lutz (as Matilda Lutz), Kevin Janssens, Vincent Colombe
Min: 108
Year: 2017 (released in the US 2018)

Beautiful, American born Jen (Matilda Lutz) is in a secret relationship with married and wealthy French man Richard (Kevin Janssens). Together, they are on a secret getaway at a house that he owns in the middle of the desert. There, he will later meet up with two of his hunting buddies, Stan (Vincent Colombe) and Dimitri (Guillaume Bouchède). But, they end up arriving a day early, surprising the couple.
That night they have a fun night of drinks. Jen dances provocatively, as the men have their eyes on her body. The next day, while Richard is away, Stan tries to get Jen to have sex with him, claiming that by the way she was dancing, she was coming on to him. When she shoots him, he gets pissed off and rapes her. Dimitri sees what is happening and does nothing, ignoring what is happening. When Richard comes back, Stan tells him what has happened. Richard tries to pay off Jen, so that she won't tell anyone. To which she responds that she will tell Richard's wife everything. They chase after her. But, as they reach a cliff, Richard pushes her off of it. She falls and lands on a tree becoming impaled. She doesn't die, though, and soon she begins her revenge on the three scumbags.

Revenge is a French (that has both English and French dialogue) rape-revenge movie that has been receiving much deserved massive critical adoration. It is without question the best movie of the sub-genre since Abel Ferrara's masterful Ms. 45 and one of the very best movies of the year. In fact, the flick is a modern genre masterpiece that will be studied and talked about in the years to come.
Writer/ director Coralie Fargeat has made one of the most exciting and breathtaking directorial debuts in the genre in many a moon. It is has a strong and true feminist view which sets apart from many of the most renowned movies this kind, all of which are made by men. Her message is clear and very much in key with the current world of the "me too" movement. It clearly states that no matter how a woman is dressed or however one might perceive her behavior to be, no is fucking no, and that is the end of it. So, don't be a fucking scumbag.
At the beginning of the movie, the camera ogles and worships the beauty of Jen. The way her body is framed and centered on acts as the male eye. But, she is more than a sex object. And, as she begins her bloody vengeance she becomes  a strong and powerful character, that we cheer on as she takes on the pieces of shit who wronged her in such horrible manners.

Fargeat is also great at breeding tension. The camera follows the hunted and the hunters, raising the blood and getting your pulse going. You hope and cheer as she offs the next asshole, and one worries that she doesn't get herself hurt or worse. The camera also always makes the environment clear and easy for the audience to understand, adding to the suspense. The pitch perfect editing and cutting, many times back and forth, further adds to pulse pounding, edge of your seat feel.
Beyond that, the movie is beautiful to look at. I am only referring to Lutz' inherit beauty. The movie's colors pop and blister, especially in the desert heat. Fargeat also makes the violence extremely graphic, including some of the most blood spraying squibs you are likely to see and sets drenched in splattered blood.
All four of the actors are excellent. Our three villains are detestable male chauvinist pigs, bought to reality by the actors portraying them. They never enter the realm of camp or of over-the-top indulgence. Janssens, in particular, makes for villain that you cannot wait till he gets his comeuppance. 

Lutz, though, is the movie's true star. And, this film never let's you forgot that. She is the centerpiece and the heart of the story. As such, the actress does an amazing job of bringing Jen to life. This is a tour-de-force role and the single breakthrough performance of the year, so far.
Revenge is an unbridled masterpiece. It takes the rape-revenge movie into feminist territory that it has long flirted but never fully committed to. The movie is expertly directed and edited. Intense and brutally violent, it grabs your attention and never lets it go. Beautiful to look and with a never more appropriate than now theme, the flick is a timely masterwork. With excellent acting and a career defining performance by Lutz, it achieves cinematic success after cinematic success. Available on DVD and Blu-Ray and exclusively streaming on Shudder, there is no excuse for fans of revenge and quality, but bloody, genre film-making to miss this one. 


4 out of 4

9/09/2018

THE NUN (Review)

Title: The Nun
Director: Corin Hardy
Writer: Gary Dauberman
Cast: Demián Bichir, Taissa Farmiga. Jonas Bloquet, Bonnie Aarons, Ingrid Bisu, Charlotte Hope
Min: 96
Year: 2018

In this prequel from The Conjuring universe, we learn about the evil Nun demon first introduced in the The Conjuring 2. In 1952 Romania, two nuns are attacked by a demonic force, while they look for an unspecified artifact. One of them, Sister Victoria (Charlotte Hope) hangs herself, as she tries to escape the demon. The next day, her body is discovered by a young man, named Frenchie (Jonas Bloquet), who makes deliveries to the abby.
The Vatican then precedes to send in Father Burke (Demián Bichir) to go with young nun Sister Irene (Taissa Farmiga), who has yet to take her vows. They are taken to the abby by Frenchie, who flirts to the pretty nun (can't say I blame him!). He tells them that the place is one of great evil. Frenchie then leaves and our two heroes stay at the spooky convent. They begin their investigation, asking the nuns about Sister Victoria's suicide. In the meantime, our two holy heroes are haunted by visions, sounds, and other creepy-ass shit. Soon, they are on the path of encountering and finding out the origin of the evil Nun, as well as try and defeating her.

The Nun is making an utter killing at the box office. It raked in $53.5 million in the US alone and 77.5 million worldwide. According to Forbes, this makes The Conjuring the highest grossing R-rated horror franchise of all time, beating out the Alien movies, well when you don't take into account inflation and disregard the PG-13 rated Alien Vs. Predator. Regardless, of its actual placement these are HUGE numbers for a horror movie, especially an R-rated one. It also shows that audiences don't give a flying fuck about the critics who have been shitting on it. So, who is right, the audience or critics? Turns out both and neither, as this film is quite middle of the road.
The movie is very generic and breaks no new ground, as nothing original or new that is given to the audience. It has the same typical beats that you expect to find in a flick of this sort. The film is littered with jump scares, some of which work, others that do not. To its advantage the jump scares are actually the forces of evil causing them. You see there is nothing that pisses me off more than fake jump scares (IE cats, asshole friends, etc), so that at the very least the movie knows to avoid that. But, regardless, it simply does not know how to make a genuine scare that is reliant on suspense building or true terror and not just a loud noise.

It also plays things extremely safe. They're isn't that much gore although there is some gruesome imagery and a little blood here and there to keep it fully out of the PG-13 area. It also throws in zombie like demons, to, I suppose, spice things up. It goes without saying that if you came in looking for anything even remotely similar to an Italian nunspolitation movie you are clearly barking up the wrong tree.
On the bright side, the movie looks really nice. There is a nice Gothic feel and look to the movie. The use of shadows is strong, even if a bit overtly dominating at times. It adds atmosphere to the surroundings, showcasing one of the movie's highest points.

The acting is also excellent. Bichir and Bloquet, as Father Burke and Frenchie respectively, are solid in their performances. Burke may be a generic heroic horror movie priest, but he is at least a likable one. Bloquet's Frenchie is my favorite character in the movie. Likable, heroic, and sweetly flirty, he adds some much needed humor to the mostly serious tone of the film. Pretty Farmiga, sister of The Conjuring 1&2 heroine Vera Farmiga, does a fine job as Sister Irene. She plays her scared but strong and always likable, fans of her from American Horror Story and the superlative The Final Girls will be very pleased seeing her in this.

The climax will keep you interested and is enjoyable enough, even if it really plays everything in a very typical manner. The ending is fine, I suppose. It ties into The Conjuring films, in a way that is clear, if obviously spoon fed to the audience.
The Nun isn't as bad as some make it out to be. However, it really isn't that good either. Generic, by the numbers, and playing it way too safe; it takes no chances. Jump scares abound, although at least these are caused by the actual evil being. To its advantage, it is well acted throughout, and the movie, itself, looks great. I had very low expectations and ended up enjoying it for what it was. It is nothing you need to see right at this instant, if ever. I would advise to not go in  expecting much and you might have a good time. There are far worse ways to kill time with, and if you are a fan of this franchise, my guess is you will see this regardless of what I say. And, hey, at the very least, it's much better than that fucking piece of plastic doll feces Annabelle, so there is always that bit of faint praise.


2.5 out of 4

9/05/2018

TERRIFIER (Review)

Title: Terrifier
Writer/ Director: Damien Leone
Cast: Jenna Kanell, Samantha Scaffidi, David Howard Thorton, Catherine Corcoran, Pooya Mosheni
Year: 2017 (Released in 2018)
Min: 82

We start with a prologue, where pretty talk show host Monica Brown (Katie Maguire) is interviewing a horribly disfigured woman. This poor woman survived an attack by a killer named Art the Clown (David Howard Thornton). Art, himself, is actually watching the show from his TV set, while applying his makeup. After the show, Monica is in her dressing room talking on the phone. She makes some mean and bitchy comments about the victim, only to have said victim come in and gouge her eyes.

We then cut to, Halloween night, where two beautiful friends, drunk Dawn (Catherine Corcoran) and Tara (Jenna Kanell) are heading home after a clearly fun night. They soon encounter Art, who is carrying a large, black, plastic bag with him. Victoria is rightfully creeped out by him, but Dawn doesn't take it very seriously. When, they both head to a pizzeria for a bite to eat, the clown also walks in quickly there after. Dawn still finds it all rather funny and even takes a selfie with him. Soon after, he does something that is enough to get him kicked out of the eating establishment (we quickly learn that he left the bathroom covered in shit and piss!). The girls eventually go their own way.
Unbeknownst to them, the employee and the manager (whose decapitated head gets carved like a fucking jack-o-lantern!) of the pizza joint get slaughtered by Art. Meanwhile, their car's tire has been slashed. Tara thinks its the scary looking clown, but Dawn doesn't believe it is. Either way, they end up calling Tara's sister, Victoria (the lovely Samantha Scaffidi) to pick them up.
Tara needs to take a piss really badly, so she ends up going in a nearby building. Soon there after, Dawn hears on the radio about two people getting killed at the pizzeria that they just left by a clown! It soon dawns on her (pardon the pun) that Tara was right all along! It's too fucking late though, as Art is in the car. He soon turns his attention to Tara, and will do the same with Victoria when she finally arrives at the rat infested, dump of a building, where the majority of the remaining film will occur at.

Let's not mince words here, Terrifier is the best slasher movie since Hatchet II, hands down! This is 80's inspired splatter done right. It's brutal, uncompromising, and gory as fucking hell. The movie has been garnering strong word of mouth and reviews and is rapidly gaining an ever growing cult following, all of which it rightfully deserves.
Writer/ director Damien Leone has crafted a movie that doesn't simply play oving tribute to stalk and slash movies of their golden age but manages to surpass many of them. This is due to the fact that he doesn't have some cookie cutter bullshit that does the same tired shit over and over again. He also does not play it safe taking it to a far more extreme level than many of the weak ass Friday the 13th sequels and their ilk never had the guts to partake in.

Leone is also very apt at adding much tension and suspense. The pacing is fast and tense, resulting in a short running time that flies by. Most of the time when I watch a movie of this type I just sort of look at the screen and not much else. Watching this one, though, I was screaming at the screen and the characters, telling them to run, hide, fight back, whatever the scene dictated. I don't think there is a better sign that you have done a good job, then getting the audience to shout and be invested in what is happening onscreen.
To achieve this you need to care about the characters and for them to be played by a talented cast. The girls aren't just there to provide eye-candy, though they are certainly gorgeous. You actually don't want to see them die. Most of the cast are unknowns, save for the gorgeous Catherine (Return to Nuke 'Em High Vol. 12, Sociopathia) Corcoran, who is one of my personal favorite, current scream queens.

But, extra praise must be given to David Howard Thorton. He is perfectly terrifying as Art. Without saying a single word, he manages to be menacing and utterly bone-chilling. His creepy ass smile will fucking haunt you. And, for those of you who are scared of clowns, be prepared to clean the shit from your undies. Cause, Art manages to be more disturbing than Pennywise is on his best day.
Of course, it also helps that his look is unsettling to begin with. Also solid are the gore FX. Decapitation, slashings, stabbings, blood spurting gunshots, eye gouging, cannibalism, and bludgeonings hit the viewer with no mercy. Included in these acts is a snatch to head bisection that is more than likely the year's most memorable and shocking kill and probably one of the vicious kills by a psycho killer since the glory of Lucio Fulci. Throw in a little bit of nudity, courtesy of Corcoran, and you have something that gives you everything you want and more.
Terrifier is a killer slasher movie and destined to become a modern, cult classic. The movie is brutal, vicious, and does not fuck around. It is also a shit load of fun and keeps you invested throughout its running time. Suspenseful directing and characters you actually give a flying fuck about played by a solid cast help things even further. And, here is hoping Art becomes the next big slasher villain, especially as how he is bought to life by Thorton. Distributed by horror website Bloody Disgusting, Terrifier is currently streaming on Amazon. It is an absolute must for those who like their throwback horror movies to be as uncompromising as possible.


4 out of 4