Cast: Sara Canning, Osric Chau, Gracie Gillam, Barbara Crampton
Year: 2021
Min: 83
NEW YORK – August 12, 2021 – Shudder, AMC Networks’ premium streaming service for horror, thriller and the supernatural, will release Superhost, written and directed by Brandon Christensen (Z, Still/Born), in North America, the United Kingdom, Ireland, Australia and New Zealand on September 2.
“Led by Gracie Gillam’s unshackled and wildly fun performance, Superhost is an unexpected, darkly humorous new terror from Brandon Christensen,” said Craig Engler, general manager of Shudder. “Following Still/Born and Z, we’re thrilled Brandon remains in the Shudder family, and are eagerly anticipating creeping out our members’ long weekends.”
Said writer and director Brandon Christensen, “I’m incredibly excited for horror fans to check out my newest film Superhost on Shudder. Superhost will stay with you long after the credits and have you rethink staying in a complete stranger’s house.”
In Superhost, travel vloggers Teddy (Osric Chau, Supernatural) and Claire (Sara Canning, Nancy Drew) share their experiences in and around vacation homes with their subscribers while maintaining a moderate level of internet fame. When their follower count starts to dwindle, they pivot to creating viral content around their most recent host, Rebecca (Gracie Gillam, Z Nation). With all eyes turned towards their “superhost,” Rebecca, they slowly start to realize something isn’t right and as they investigate further, they unlock a horrifying truth.
Written and directed by Christensen the film stars Chau, Canning, Gillam and Barbara Crampton (Jakob’s Wife). Superhost is produced by Kurtis David Harder (Spiral), Christensen, and Chau. Chris Scordo, Darren Sivertsen, Ty Sivertsen, Jon Robinson and Rob Preston serve as executive producers.
Superhost will world premiere Saturday, August 14 at Popcorn Frights in Fort Lauderdale, FL.
ABOUT SHUDDER
AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia and New Zealand. For a 7-day, risk-free trial, visit www.shudder.com.
BAND SHARES OFFICIAL VIDEO FOR NEW SONG "FEAST OF FIRE," WHICH IS STREAMING NOW — WATCH
BAND TOURING WITH MEGADETH + LAMB OF GOD THIS SUMMER
Grammy-nominated band TRIVIUM — Matt Heafy [vocals, guitar], Corey Beaulieu [guitar], Paolo Gregoletto [bass], and Alex Bent [drums] — have announced that they will release their tenth album, titled In The Court Of The Dragon, on October 8 via longtime label Roadrunner Records. The record was produced and mixed by Josh Wilbur and recorded in the Fall of 2020 at Full Sail University in Orlando.
Pre-orders are live here.
The band has also shared the new song "Feast Of Fire," which is joined by an official music video. Watch it here.
The footage was filmed at the band's HQ — The Hangar in Orlando. It was shot by director John Deeb.
"There's always that one song you aren't expecting when you begin writing a new album," says Gregoletto about the song and, in turn, sharing an inside look at the band's songwriting process. "It could be a riff written on the spot in the rehearsal space, a lyric that pairs just right with a melody, or in the case of 'Feast Of Fire,' sitting right there in front of us in the middle of a demo that Corey brought in. We were well into pre-production at Full Sail when we all decided that something about the demo we had tracked was good but could be even better. Our producer Josh Wilbur even had in his notes: 'Bridge is special, maybe so special it needs its own song.' We tore the song apart and began again on the spot."
He continues, "We went into this album knowing we had time to consider everything and anything that came about during this period, and if need be, we could start again if it didn’t feel right given that no touring was on the horizon."
Further pulling back the curtain, he says, "I had the words 'Feast Of Fire' written in my running list of notes for lyric ideas that I try to amass before we record. Something about the phrase stuck out to me. It felt like the missing piece of the story we were trying to tell with this album, a climactic moment and a real centerpiece for the narrative."
He finishes, "After all these years, I'm still blown away at how a song can really appear out of thin air and take the album to a place you weren't expecting. Those are the moments we are always looking for when making a record."
The album cover is an original oil painting by French artist Mathieu Nozieres (@mathieunozieres on Instagram)
"While the music of In The Court Of The Dragon was taking shape, we knew we needed epic artwork of the type that you might see on the wall of an important museum from a long dead renaissance master," says Heafy. "After extensive research, we found one of the few living artists who is capable of creating artwork like Caravaggio and Gentileschi — painter Mathieu Nozieres. Mathieu took our song title and created an original oil painting on canvas unlike anything we could have ever imagined. It's so staggeringly breathtaking and epic and it looks like what the song and album sounds like."
The oil painting, which is also featured in both new videos, will be on display at the Bloodstock Festival from August 11 through 15 at the on site R.A.M. Art Gallery. This marks the painting's first public showing. The first 100 fans to view it in the gallery will receive a free poster of the image.
Last month, Trivium shared the album's title track, "In The Court Of The Dragon," which featured an epic intro composed and orchestrated by Ihsahn (Emperor) and was accompanied by an official short film music video directed by Ryan Mackfall. Loudwire called out the song as "a skillful blend of dynamics. And blast beats just sound really, really good beneath Matt Heafy's soothing clean singing" while Revolver labeled it "epic."
IN THE COURT OF THE DRAGON TRACK LISTING:
"X"
"In The Court Of The Dragon"
"Like A Sword Over Damocles"
"Feast Of Fire"
"A Crisis Of Revelation"
"The Shadow Of The Abattoir"
"No Way Back Just Through"
"Fall Into Your Hands"
"From Dawn To Decadence"
"The Phalanx"
Trivium released its now-canonical album Ascendancy in 2005. It was recognized as KERRANG!'s "Album of the Year," achieved a gold certification in the UK, and eclipsed sales of 500,000 worldwide. Metal Hammer placed it in the Top 15 of "The 100 Greatest Metal Albums of the 21st Century." It ignited a string of six consecutive Top 25 debuts on the Billboard Top 200 and five straight Top 3 debuts on the Top Hard Rock Albums Chart, culminating on 2017's benchmark The Sin And The Sentence. That album elevated the group's total stream tally past a quarter-of-a-billion. Additionally, "Betrayer" received a GRAMMY® Award nomination in the category of "Best Metal Performance." Unanimous acclaim followed from Decibel, Loudwire, Ultimate Guitar, MetalSucks, and Metal Hammer, who dubbed them, "quite simply one of the best bands in modern metal." Not to mention, they performed alongside Metallica, Black Sabbath, Iron Maiden, and many others and graced the main stages of Download, Bloodstock, KNOTFEST, and more. After two decades, eight albums, and hundreds of sold out shows, Trivium actualize the all-encompassing ambition they first set in motion back in 1999. Ninth album In The Court Of The Dragon arrives 2021.
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Claire (Najarra Townsend) is a hair-stylist, who we learn from the opening scene, has a propensity for scalping women and taking their hair to keep and wear for herself. This despite, the fact, that she is gorgeous and has beautiful, long, red-hair (which I would imagine many would kill to have themselves) of her own. One of her customers, Olivia (genre favorite Brea Grant), asks her to do her hair for her own wedding. Even though, Claire doesn't do wedding hair, she ultimately agrees to doing it.
Olivia begins to treat Claire as a friend, in gratitude for her amazing work with her hair-do. And, even invites her to her home and then to her bachelorette party. This makes Claire try to hold back her impulse to kill. But, as her mind cracks, this isn't helped by her overhearing two of Olivia's friend talking shit about her being creepy, It doesn't take long for her to go back to her murdering ways. She, in particular develops an obsession with Olivia, or more precisely with the life she leads.
The Stylist is the feature length directorial debut of Missouri filmmaker Jill Gevargizian (a hair stylist, herself), after cutting her teeth a bunch of short movies. These include the excellent short, of the same name and also starring Townsend in the title role, which inspired this movie. This flick is a slasher film, but one with a clear female point of view and with a far more dramatic side than is usual. This helps to make it more of a psychological character study of Claire.
Gevargizian is an incredible filmmaker, who as this film shows, has style to spare. The movie is absolutely gorgeous, as I adored the colors it has. The movie really pops visually, especially on the recent, phenomenal Arrow Blu-Ray release. She has a real eye for beauty, with scenes being gorgeously lit. She also very effectively uses split screen in ways that would make Brian De Palma, himself, jealous. Aside, from the aesthetic aspect, she also really knows how to build tension. One of my favorite scenes, in the movie, is a great example of this. In it, Claire hides from a potential victim, whose house she has entered. I was felt myself get very tense as I watched this moment unfold.
Another thing of beauty is the score. Nicholas Elert's music for the film fits it like a velvet glove. There are some tracks that give the movie a serene feeling that makes it all the more captivating. The soundtrack can also be chilling and creepy as fucking hell. In all, this is one of the best I have heard in a horror movie, all year. On a side note, that aforementioned Blu-Ray provides us with the soundtrack on CD, which is a very welcome bonus.
Thanks to both the script, which Gevargizian co-wrote along with Eric Haven and Eric Stolze, and the phenomenal acting of the cast, there is some great character interactions. It all feels very natural and real. One great example, is the kill at the start of the movie. Before Claire offs this lady, whose hair she is doing, the talk they're having feels believable. It give us great insight into Claire, and what she feels when she talks with her customers. It's between its beautiful style, characterizations, and female leanings, that it sets itself as a stark contrast from the similar, in murderous methods and antagonist centralized story, to William Lustig's grimy and sleazy, masterpiece Maniac. And, really it further adds to this movie's brilliant ability to stand out, on its own.
Najarra Townsend is phenomenal as Claire. There is something very likable about her. Her portrayal has an awkwardness, mixed with creepiness that really helps her stand out as, not just a horror antagonist, but as an overall character. Moments of genuinely heartbreaking sympathy add a deepness not regularly found in other character driven serial killer movies like this. There is one scene she has with Olivia towards, the end, that I felt very sorry for her. This is despite me knowing of her clear insanity. I very much liked how I can feel terrible for her, one minute, yet later be disturbed by her behavior. Then, there are her outfits, her make-up and hair, and her own, natural beauty, all of which makes Claire so enthralling. Brea Grant, as Olivia, is her usual wonderful self, helping to make the character feel like a very real person. Keep your eyes peeled for Gervargizian, herself, who has a pretty fun cameo, where she wears a T-shirt of the ass kicking horror flick The Ranger.
The Stylist is a beautiful, stylish, and, at times, haunting flick. It features strong performances from both leads, especially Townsend as our main character and killer. It honestly, might be my favorite bit of acting in a horror movie this year. Director/ co-writer Gervargizian has incredible and immense talent, giving us a flick that is breathtaking to look at. It is without a doubt the most beautiful genre film, I've seen this year. But, it isn't all just pretty to look at, as she has given this flick heart and psychology to make it really stand out among its competition. To put it quite bluntly, this might just be the best horror film of 2021, or at least very damn fucking close to it.