Entertainment Earth

1/25/2022

Boris Karloff: The Man Behind the Monster (Review)


Director: Thomas Hamilton
Writers: Thomas Hamilton, Ron MacCloskey
Cast: Peter Bogdanovich, Ron Pearlman, Guillermo del Toro, Sara Karloff, Stephanie Powers
Year: 2021
Min: 99

This 2021 autobiographical documentary is about horror legend Boris Karloff's life and, in particular, his career. In the pre-credits, it mentions and talks about the later part of his career: IE Mario Bava's classic anthology Black Sabbath, The Grinch Who Stole Christmas, and Peter Bogdanovich's Targets. From there it goes back in time, into his early work discussing his breakthrough role in James Whales' Frankenstein and his follow-up role in The Mummy. It is from here that we go into his rough upbringing and journey into his acting career, including his involvement with SAG, and his following roles, right into his passing. 

Throughout its running time there are some great interviews with experts and legends on the genre and Karloff, as well as those who knew and/ or worked with him. Those interviewed include, but are not limited to David J. Skall, John Landis, Guillermo del Toro, Karloff's daughter Sara Karloff, Joe Dante, and many more. These interviews are informative, entertaining, and loving in nature. And, to be honest, I could listen to guys like Skall, del Toro, Landis, and Dante talk horror movies all day long!

Learning that he had a rough childhood, thanks to his father who was abusive to him and his mother, was wholly new information to me. In fact, I knew nothing about his pre-Hollywood days, till watching this douc. But, then there are many fascinating facts that are revealed both through interviews and the excellent narration. The documentary is never boring and always feels like you are learning something new about this legend or basking in the glorious admiration so many rightfully have for him. 

A couple of moments even hit me and really warmed my heart, as in when the late, great Dick Miller (a cult horror legend and favorite in his own right) talking about working with him in Roger Corman's The Terror. Corman, himself, appears, and as is the case with any interview with him, provides truthful and insightful facts about movie productions. In this case being in reference to the aforementioned The Terror and the preceding flick The Raven, both of which, of course, featured Karloff.

Other captivating moments include the scene where Karloff, as the monster, throws the little girl into the water in Frankenstein. I knew the scene was cut back then but didn't know the exact details. And, I certainly didn't know Karloff's thoughts on this classic moment in the genre. Later we have various interviewees discussing one of my favorite movies of Karloff' and Bela Lugosi's career, The Black Cat. They mention its boundary pushing subject matters of Satanism and necrophilia. 

Then there is talk of the struggle Karloff had finding work in the early days of the horror hating Hays Code. As well as, his work for horror producer Val Lewton, and so many more great moments. In fact, the discussion on the the three Lewton movies is extensive and fully engrossing. And, finally, as a long time convention goer, the part where his daughter Sara Karloff speaks of meeting fans and seeing and hearing their love for her father, is a truly touching highlight all its own.

It's also great to hear how TV airing classic horror movies revitalized his career the 50s and 60s . We learn that thanks to this, he got to do a lot of television roles and appearances and a string of movies in this later part of his life. Among these include the beloved Targets, highlighted by an interview with its director Peter Bogdanovich. His words on the making of it are inciteful and captivating. The fact that he so recently passed away makes this interview with the legendary and respected director that much more memorable. 

Boris Karloff: The Man Behind the Monster is a wonderful, informative and, above all, affectionate documentary. It serves as both a testament to Karloff's incredible body of work and as a loving tribute to him. The interviews speak with a great amount of deserved reverence and admiration for him and his movies and roles. The facts revealed are illuminating and fascinating. The docu, itself, is never, not even for a split second, boring, as it is always entertaining watch. As such, its an absolute must watch for fans of Karloff and classic horror, in general. The documentary also ranks as one of the finest, utterly enjoyable, and perhaps most heartwarming ones on horror movies. You'll be able to see it and enjoy it yourself, when it begins streaming on Shudder on January 27, 2022.





2/02/2018

WiHM Massive Blood Drive "Sanguino" by Dayna Noffke

Picture courtesy of the Twisted Twins.



Another awesome short for Women in Horror Month 2018, this one is a lot of fun. It shows a whole ton of love for golden age horror and sandwiches, as such it bought a big smile to my face. Read and see it, below for yourself.

From the Twisted Twins official press release: 

 It's time to unleash that latest offering for our Women In Horror Month MASSIVE Blood Drive! This year we have a killer 30 filmmaking teams who have come together to bring awareness to blood donation. And a NEW PSA being released every single day!

DISCLAIMER: This IS Horror, boys and grrls, so SOME of these do have VERY naughty content. Blood. Gore. EXTREME gore. Disturbing situations. Nudity. Sexual situations. Violence. Language.

If you are SENSITIVE to this kind of content, be a mature human being and just don't watch. No need to spoil the fun for us fellow weirdos. We're not hurting anyone. It just REALLY looks like we are ;)



Here's our next: "Sanguino" by Dayna Noffke.




Sanguino Credits


Written by Anthony Taylor (http://taylorcosm.com)
Directed by Dayna Noffke (http://www.daynanoffke.com)

Starring:

Joe Hart

Director of Cinematography:Bryan Redding (http://www.bryanredding.com)
Gaffer: Chase Yarbrough
Production Designer: Jessica Britton Parker
Digital FX Supervisor: Stacey Palmer
1st AD: Gabriela McNicoll
On Set Dresser: Derek Haygood
Key Beauty Makeup Artist: Beverly Ever Hegmon (http://www.everaftermakeupartistry.com)
Key SFX Makeup Artist: Luke Godfrey (http://www.imdb.com/name/nm4918272/)
Script Supervisor: Nahika Blanchet
Camera PA: Scott Mitchell
Set PA: Gilbert Moreno
Editor: Stacey Palmer
Colorist: John Petersen (https://www.moonshinepost.com/about/)
Sound Design: Krista Berutti
Music Composer: Benjamin S. Hernandez and Paul Nassar
Re-Recording Engineer: Benjamin S. Hernandez

Special Thanks to:
Shane Morton of Silver Scream FX Lab (http://www.silverscreamfxlab.com)
Jen and Sylvia Soska
Lynne Hansen
Chris Ethridge


DIRECTOR’S BIO

Dayna Noffke is a screenwriter and director, who has brought her unique brand of storytelling,
dark humor, fangirl-infused enthusiasm and obsessive work ethic to Atlanta, Georgia.

Her work in the horror genre is informed by her experiences and her lifelong love of film. Her
travels have taken her from a childhood in St. Louis to stints in New York, Boston, New Orleans and even Branson, Missouri. Along the way, she picked up a degree in physical anthropology/primatology, logged time on a research project on mantled howler monkeys in Ometepe, Nicaragua, spent a few years as a high school special education teacher, and earned herself a roller derby name.

Dayna fell into filmmaking after a chance encounter brought her to the set of Rob Zombie’s
Halloween 2. Within two months, she had written and directed her first short film with a cast and crew full of friends, including Andrew Shearer of Gonzoriffic films. She had caught the bug and directed 9 more short films between 2009 and 2017. 

Her film catalog runs the gamut from “backyard” no budget fare - such as the well-received 2011 film, MOUSE, praised for its naturalistic acting - to recent projects such as late 2017’s Teaser, a lush burlesque-inspired period piece that is hitting the festival circuit in 2018.

Dayna’s films have been screened at numerous festivals including Women in Horror events,
Rome International Film Festival, Spooky Empire’s Film Festival, Buried Alive, VHS, Florida
Film Festival among many others. Her screenplays have been chosen as official selections and finalists in screenplay competitions and showcases such as Oaxaca Film Festival, Stranger With My Face and Filmquest. 

Dayna is currently in development for a horror feature inspired by a classic Victorian short horror story, along with working on new short films and logging lots of time traveling with her family, visiting historical and haunted sites, riding roller coasters and forging friendships all along the way.

Twitter: @daynadirector
Instagram: @thrillridepictures\

And her daughter, Viva Noffke, the LITTLEST Monster Maker's Instagram is: @littlestmonstermaker. Not only a talented young actor, but a KILLER FX artist!

4/15/2016

Toy Fair 2016: Mezco Toyz

Let's continue my trip through my favorite booths to at Toy Fair with Mezco Toyz. They have some really awesome product lined up for 2016. So, let us start with some Marvel Comics stuff.

At the top you have two characters who are red hot right now (as well as being two of my personal favorite superheroes): Captain America and the Punisher. Their popularity is thanks to, at least in part to, the upcoming Captain America: Civil War and the currently on Netflix Daredevil season 2, respectively.

 
Dear God, I NEED the Punisher figures!

But, they ain't the only Marvel figures. To coincide with the aforementioned phenomenal Daredevil series we get some motherfucking Matt Murdock (left)! Three different versions of "the Devil of Hell's Kitchen", how fucking cool is that?!


DC fans do not despair, Mezco has you covered, too. You guys will be getting comic-book accurate depictions of the Reverse Flash, the Green Arrow, the Flash, and Superman (right). Fans looking for stuff from the recently released Batman V Superman: Dawn of Justice will be pleased, too (below). Said movie maybe as uneven as fuck, but the figures kick super ass.

 

But, to me, the thing I like to see the most at this booth is, of course, the horror toys. And, they got a whole bunch of cool ones coming out! franchises include: Universal Classic Monsters, Hellraiser, and Child's Play. They are all too freaking cool!! My pocket will cry when these hit the shelves!

 
 
 
 Hmm, do you guys think that I should walk around that Chucky mask?
The cute Pinhead above isn't the only Hellraiser toy. Mezco is going all out for fans of the beloved and bloody franchise, especially for lovers of its' lead antagonist and Cenobite leader, Pinhead. Just look at the following toys. They are all amazing!

 
 
 
Here are a couple of more toys that really caught my eye at their booth:
 Fans of classic toon Gigantor rejoice! Look at what they got for you!
What's up doc?

2/23/2015

Big World Pictures In-Production on FRANKENSTEIN CREATED BIKERS

I reviewed James Bricket's Dear God No! a couple of years ago. I absotutely loved that movie, and when he mentioned that he was working on the sequel, Frankenstein Created Bikers I immediately became super excited. He has a kick starter program for it. The official press release follows:

BIG WORLD PICTURES TO SHOOT ‘FRANKENSTEIN CREATED BIKERS’ ON 35MM FILM

ATLANTA – Feb. 23, 2015 – Big World Pictures announces its latest production, FRANKENSTEIN CREATED BIKERS, will be shot on 35mm motion picture film. The producers have unearthed 20,000 feet of unexposed Kodak Vision 3 film stock leftover and carefully stored from a major Hollywood production.

FRANKENSTEIN CREATED BIKERS is the sequel to the award-winning internationally distributed Super 16mm film DEAR GOD NO! and will be shot with Arri cameras and Zeiss lenses. “We’re really excited to extend our love affair with film.The medium injects our production crew with a hand-crafted sense of pride that we don’t often experience from using digital equipment,” explains director James Bickert.  “Film is a real motivator; it reminds me of soda made with real sugar instead of high fructose corn syrup. You forget what you’re missing until you experience it.”

35mm Film Brings New Challenges

With film becoming obsolete, development and telecine post-production houses disappearing, the race is on to start principal photography on what may be the last “shot on film” horror genre picture for the production team. Big World Pictures has started a Kickstarter campaign to help get the project in

“We don’t want to waste this opportunity on teenagers stalked in the woods or flying CGI sharks,” adds Bickert. “Our script is very ambitious with a production design that will maximize the natural properties of the medium. We’re using practical effects and we really hope the fans of our previous film will contribute to getting this unique vision in the can. We believe there is a market for the films we love, making the public aware of what we’re doing is the hurdle and hopefully the Kickstarter campaign can bring attention to our cause. We’re offering some really great rewards for investors. ”

Old School Ballyhoo and a Twisted Vision

FRANKENSTEIN CREATED BIKERS centers on the re-animation of the South's most notorious biker gang -The Impalers. Dr. Marco and his assistant are performing gruesome experiments in their asylum lab and have resurrected the thrill-kill Motorcycle Club to capture a Bigfoot containing a pathogen that will allow them to perform a human head transplant. When news of the gang resurrection draws the attention of bounty hunters, law enforcement and rival gangs, the lofty aspirations of these mad scientist starts to spiral out of control. Things get even worse for the occupants when past failed- experiments escape from the basement and the lab is attacked by a bomb-happy femme fatale named Val. Stylistically FRANKENSTEIN CREATED BIKERS pays homage to several of the production team’s favorite films such as the Hammer Studio's Frankenstein series, FASTER PUSSYCAT KILL KILL!, THE BRAIN THAT WOULDN'T DIE, HORROR RISES FROM THE TOMB, THE RE-ANIMATOR and Biker drive-in pictures from the 70s. Blood, scares, nudity, action, weirdness and real explosions are on the menu, and the dessert is an underlying theme about addiction and what hampers humanity from feeling fulfilled in life. These issues are explored through the actions of really rotten characters doing rotten things - all in the context of a fun-filled smorgasbord of entertainment.

Dedicated Professionals

The self-proclaimed team of "awesome" fanatics at Big World Pictures are made up of crew members
from other productions, including THE WALKING DEAD, THE VAMPIRE DIARIES, CONSTANTINE, Adult Swim's YOUR PRETTY FACE IS GOING TO HELL and TOO MANY COOKS. The camera crew worked on HBO’s THE WIRE and the grip department has worked on productions that include the HUNGER GAMES and THE FAST & THE FURIOUS series. Cast members include Laurence Harvey (HUMAN CENTIPEDE 2 & 3), Celebrity Chef Jim Stacy (DEEP FRIED MASTERS, OFF BEAT EATS) and Ellie Church (TIME TO KILL, HEADLESS). The majority of the DEAR GOD NO! cast will be returning to reprise their roles.

For the Love of the Genre

The Atlanta based Big World Pictures was formed to create films by horror fans for horror fans. Shooting on film has been a binding force for the group who enthusiastically tour the country to horror conventions, festivals and theatrical screenings. “It’s all about comradery and being part of a bigger community.  Due to the bottom line of larger productions, the horror genre gets stuck in trends. Our fan base is growing quickly, and we hope to keep delivering the solid entertainment that we enjoy making. We have a deep sense of pride in what we’re doing and love sharing the experience with like-minded audiences. FRANKENSTEIN CREATED BIKERS is going to electrify them,” concludes Bickert.

How to Contribute

If you love film, horror movies and crazy spectacle, you can help by contributing at www.kickstarter.com/projects/1334887287/frankenstein-created-bikers-a-35mm-feature-film. Also, stay up-to-date on our latest news and happening by following us on Facebook https://www.facebook.com/DearGodNoMovie, Twitter (@jamesbickert) and our website
http://www.bigworldpictures.us


10/25/2012

Horror Viewings for October 2012

As is the tradition for this blog and me, it's time to talk about all the movies, I've watched so far this month (and I really try to only watch horror movies in Oct). As always, I do it in hopes of helping you pick some good horror flicks to watch in this, THE greatest time of the year! So let's get this started already!

All reviews are out of 4 stars.

Emaunelle and the Last Cannibals- My favorite Joe D'Amato flick and my fav Laura Gemser flick, I revisited this fun mix of softcore erotica and cannibalistic horror after doing a write up for Best-Horror-Movies.com on the best exploitation horror flicks. Lesbians, babes, cannibalism, gore, full frontal female nudity, sex, and hairy bushes, what more do you need? ***1/2






Mark of the Vampire- Todd Browning directs Bela Lugosi as a vampire in this mystery/ horror flick. Great atmosphere and sets, but the ending is fucking AWFUL and a total letdown. It ruins the whole thing. Shame. **








Frankensweenie- This touching, funny, and loving tribute to classic horror is one of Burtonn's very best. I laugh and I cried in this wonderful tale of a little boy whose cute doggie dies, and he resurrects it. The climax kicks major ass. Ranks among the best films of the year, so far! ***1/2







Black Death- From director Christopher (Severance) Smith comes this well acted, especially by Sean Bean, tale of witch-hunting, the bubonic plaque, and paganism. I think this makes for a very fine companion piece to the amazing Witchfinder General.***







Squirm- I been a fan of this one since I was a little kid. This killer worm flick is the best non-giant killer invertebrate flick ever! ***1/2







Frankenstein- The second best horror film of the golden age, this Karloff/ James Whales classic never fails to captivate. And, truth be you need to watch at least one Universal and/ or Hammer film during the Halloween season. ****








Maniac Cop- Since I will be dressed as Matt Cordell, the Maniac Cop himself, for my friend's wedding, I figured I would revisit this fun William Lustig action/ slasher flick. Bruce Campbell and Tom Atkins both add great genre support to tit. While the second film is the superior one, I don't own that one cause it's OOP (out of print), so I did my role research with this one. BTW, the tagline of this one (you can see it on the poster to the left), is a personal favorite of mine.**1/2




Paranormal Activity 4- I'm not sure what possessed (pun intended) me to see this in the movies, as I have only seen the first film. I liked said movie, but admit ably the whole found footage thing is something I'm fucking tired of. But, I think the appeal of Katie Featherston's amazing cleavage called me. I expected nothing, so I was pleasantly surprised when it turned out to be fun. A new family adopts creepy kid and shit goes bad for them. It's a got fun sense of humor and is actually pretty funny. There are tons of jump scares, some of which work, most of which don't. Still, it's much better than it really has any right to be. Of course, if you hate this series, this one won't change your thoughts or anything. But, with an open mind and no expectations you may like, too. ***

 
The Black Cat- This boundary pushing (for then) pre-Hayes Codes golden age horror flick has Karloff play a Satan worshiper and Lugosi in a rare turn as a hero. It's so fucking good! Both are top form. Karloff is chilling and there is genuine sympathy to be felt for Lugosi. The movie adds Satanic rituals and allusions to necrophilia, as well as a climatic off-screen skin flaying that ranks as one of the best moments in old school horror film history. A masterpiece that is my fav Lugosi flick, my fav non-Frankenstein Karloff, and my fav colab between them. ****

Anyway, I would love to know what horror movies you have been or plan to watch this season. I hope you all have a fun, spooky, and safe time.

10/03/2008

The Top 10 Horror Films Up Until the 1960s

Every week or so this month, in honor of Halloween, I will be picking an era's ten best horror films, working my way up to the present. I will begin with the classic era of horror, up until the 60s.

10. - Roman Polanski's adaptation of Ira Levin's novel ranks alongside of The Exorcist and The Omen as one of the greatest Satanic horror films ever made. The performances are amazing and the Satanic rape scene chilling. The ending is classic and one of the best in the genre.

9. - The greatest werewolf film of the classic era this movie is, in fact, second only to The Howling in that subgenre. A great performance by Oliver Reed, a wonderful atmosphere, great make-up FX, and an exciting climax make this a must see. Surely, this Hammer film would be a major influence on the latter day werewolf films.

8. - The complete, uncut version of this classic was finally made available last year in an amazing DVD release. While, the series would go more campy and fun, the original remains a pure tale of the horrors of nuclear war. Dark and somber, this version excludes the bad dubbing, Raymond Burr, and elements that kept Godzilla: King of the Monsters from being a perfect film. The result? One of the greatest, and perhaps darkest, giant monster films, ever made.

7. - One of the finest films of the golden era of horror, James Whale's masterpiece is wonderfully acted and full of great atmosphere. In my book, this is the first truly perfect film from Universal's early horror days.

6. - The greatest of Hammer movies is also the single finest Dracula movie ever made. To me Christopher Lee is the greatest Dracula, ever, and Peter Cushing the greatest Van Helsing. Featuring a much better pace than the Universal film, this movie upped the violence and sex content in these type of films. While, tame by today's standards, one has to see it from the perspective of the era. Add the stylish atmosphere, and you have one of the single greatest and most influential horror films, ever made.

5. - The single greatest giant monster film ever made, King Kong still hold up after all these years. The pace is exciting and the FX still incredible after all these years. Faye Wray is, of course, horror's first scream queen and a perfect beauty to the beast. The amazing DVD release of a few years back gave us the uncut version, which added many scenes not seen in ages. And guess what? Despite the many sequels and remakes it inspired, some with some truly amazing FX work, none of them could ever touch this masterpiece.

4 - One of the most beautiful and sumptuous horror films ever made, this adaption of the classic Edgar Allan Poe also features one of Vincent Price's greatest performances. Throw in some Satan worshipping, beautiful scream queen Hazel Court, and the atmosphere and lush directing of Roger Corman, and this is, without a shadow of a doubt, the single greatest Poe film ever made.


3. - The grandaddy of the slasher film is, to me this is Hitchcok's best film. Extremely important to the horror genre, this film features smashing performances and is truly and smartly crafted and directed. Years later the shower scene remains one of the defining moments in the genre. The score by Bernard Herman is one of the most recognizable and greatest in cinema history. Simply put this is a must see, for horror fans and movie fans in general. I mean if you ain't seen it yet, what the fuck are you waiting for?!

2. - My absolute favorite film of the classic era succeeds because aside from the great atmosphere the film had, it is also very funny and very touching. There is a lot of heart in the film, and in, the end, a very tragic horror tale. The cast also give career define performances. The fact that Whales was able to top his masterful original only further drives the point home, making it the rarest of sequels. A movie to be held up, honored, and beloved by all generations of fright film lovers.

1. - George Romero's classic remains, to me, his best film. Not only is this film THE movie that gave birth to the modern concept of zombies, but it also is the movie that pretty much began the modern era of horror. While, HG Lewis had already done gore before Romero, NOTLD bought it to the masses. It also handled it with seriousness and was totally chilling. Add in the powerhouse acting, the excellent character interaction (thanks to a perfect script), political allusions to class and race, and the dark ending, and you get a film that, despite my countless viewings of it, is still light years of its wanna-bes. While, countless of zombie films (many even gorier than this one) have come and go NOLTD remains the pinnacle of the subgenre.