Entertainment Earth

10/05/2020

The Cleansing Hour (Review)

Director: Damien LeVeck 
Writers: Damien LeVeck, Aaron Horwitz
Cast: Ryan Guzman, Kyle Gallner, Alix Angelis, Chris Lew Kum Hoi, Daniel Hoffman-Gil
Year: 2019
Min: 93

Max (Ryan Guzman) is the host of a rising in popularity, live, online exorcism show called The Cleansing Hour. What is unbeknownst to his followers and viewers is that it is all a load of bullshit, as everything is scripted and uses actors. Max is, admit ably, a dick, off camera, and definitely not the primary example of priesthood. On his next episode, there is a last minute cancellation. His partner in this social empire (complete with merch like "Vatican authorized" shawls!), Drew (Kyle Gallner), asks his lovely fiancée Lane (Alix Angelis), who is an aspiring actress, herself, to step in and take over as the possessed individual.

Max isn't too pleased with these circumstances. Alas they have to go live immediately, forcing him to just go with it. Soon, Lane begins to go against script, and it doesn't take long for the reality to set in. She has been possessed by a very real, murderous, and powerful demon. Said hellish entity warns them that if they cut the feed; he will kill Lane and anyone who tries to escape. Max, with the help of of Drew, soon finds himself, in a very real and deadly exorcism, as viewership continues to rise worldwide (something the demon, himself, desires) for this live vision of demonic terror.

The Cleansing Hour is a possession/ horror film from director/ co-writer Damien LeVeck based on his 2016 short film of the same name. And, from the very get go, the movie knows how to grab and hold your attention. It starts with an exciting, albeit staged exorcism that does a good job setting up much of the film. And, once the "real" horror kicks in, it really doesn't let up, turning into one fuck of a good time.

The movie is set in current times and captures much of our world today, with its themes of social media, its popularity, and the control it can have over an individual. An example of this comes in the form of Max's desire to get more viewers, in order to get a verified account. In fact, it very much serves as a commentary on the social media obsessed culture in which we inhabit. And, in keeping with this time setting, there are also some political shots at President Trump. This is something which I definitely enjoyed. Most of these were clear and upfront, but one comes from a fan comment during the live feed, is blink and miss it. 

I really liked the behind the scenes aspect of the film, which feels very believable both in the world that it sets up and in ours. LeVeck adds some humor to the flick. Not all of it works, but some of it most certainly does. Possessed Lane delivers a couple of memorable one-liners, that are fun in a cruel and deliciously evil sort of way. 

Whenever she kills or attempts to kill, it really manages to grab your attention and glues your eyes to the screen. As such, LeVeck really knows how to pile on the nail-biting intensity. You feel as caught up as the characters watching the exorcism feed in the movie, itself. One example, of many, of  the film's power comes in the form of a truly harrowing hallucination scene. The movie leads into an extended and truly fucking awesome climax. This helps to elevate the film into yet another level of quality.  Throw in a wild epilogue of news clips and headlines, and you have a killer film that ends on a truly ass kicking note. 

The acting from the whole cast is very strong. The main characters are well defined, with Kyle Gallner's Drew and Angelis' Lane being very likable. Angelis is giving a lot to work, as she is both the sweet girlfriend and the evil and cruel demon, many times within one scene. Ryan Guzman is also given a lot to work with as Max is a complex and ever growing character. At first, he is a total dick and easy to hate. But, as the story progresses, he redeems himself and becomes more likable. Sure this isn't a new idea, especially within religious themed horrors, but his acting and the story makes it all work excellently. Even some of the minor characters are given the chance to shine, like film student Riley (the beautiful Emma Holzer), who quite frankly reminded me of many a film student, myself, included. 

This all being said, the movie does have its flaws. One of them being the fact that there are definitely some cliched spots in it. But, you will be so entertained in what is going on, that you'll look over them rather quickly. A bigger complaint, for me, comes from the jump scares, most of which are fake outs and none of which really worked.  

Another problem is the CGI, which, unfortunately, isn't very good. But, once again, the film is so involving that you can completely look past this. On the other hand, the practical FX are really good, especially a gruesome transformation. As a matter of fact, the movie also has some good moments of gross out and gore. Among these include barfing (of course!), bare feet getting cut on glass in a moments that tries to out die hard, Die Hard, immolation, finger chomping, pencil to the eye, and more. 

The sub-genre of possession is, in my very humble opinion, one of the hardest to get right in horror. Thankfully The Cleansing Hour really manages to deliver the goods and is a fun and engaging ride. Sure it has its faults, mostly when it heads towards a more cliched path. But, all of this is saved and fixed thanks to great acting, likable characters, and very strong and intense directing, The climax is fucking incredible and gets your adrenaline pumping. Throw in some commentary and allusions to the current world in which the movie was shot in (IE, pre-COVID 19 America), and you have a truly a kick ass and fun as hell satanic flick. You will be able to see The Cleansing Hour on Shudder, when it begins streaming on there on Thursday, October 8, 2020.


3.5 out of 4

8/17/2020

The 10 Best Horror Movies of 1981

With the huge success of Friday the 13th, the slasher movie boom was in full effect by 1981. And, thanks to advances in special effects technology monsters, blood letting, and mayhem never looked better. Over in Italy, the zombie movie was ever expanding with more and more flicks in the sub genre. All of these factors and the level and amount of quality horror movies makes this a very interesting year to look at.

Honorable Mentions:
My Bloody Valentine
The Funhouse
Scanners
An American Werewolf in London
The Prowler
Wolfen


10. The House by the Cemetery- Lucio Fulci's fun gorefest has a couple (the wife being played by Fulci and fan favorite, the beautiful Catriona MacCall) and their annoying kid, Bob (Giovanni Frezza), moving into an old house. In said house, gruesome killings are being committed by an evil, zombie doctor. Silly and drenched in blood, this one has grown on me more and more over the years. A bloody good time to be had, even if Bob is one of the worst  horror kids of the '80s.

9. Burial Ground- This crazy, Italian horror flick doesn't waste time on such trivial aspects such as plot and gives us a zombie movie unlike anything at the time or later! This includes a little person (who looks like a mini-Dario Argento) playing a 12 year old boy who has the hots for his MILFy and sometimes naked mom. There is lots of blood and guts, but one scene involving them both, tops everything else here, and probably else where, with its sheer audacity.

8. Happy Birthday to Me- This ingenious, Canadian slasher movie stands head and shoulders above much of its ilk, cause at least it tries something different. It is not interested in wallowing in the same fucking tired shit most other stalk and slash movies seemed to love to do. Also, Melissa Sue (Little House on the Prairie) Anderson is a total babe and extremely likable in the lead role and titular birthday babe.

7. Dead & Buried- Gary (Vice Squad) Sherman directed and Dan (Alien) O'Bannon wrote this atmospheric take on reanimated corpses. It's a smart and creepy, little flick with some solid acting and a chilling look to it. The well crafted story is further complimented by Stan Winston's phenomenal and gruesome FX work.

6. Possession- It's foreign arthouse movie meets splatter monster meet psychological terror, as the marriage between Mark (Sam Neil) and Anna (Isabelle Adjani) crumbles apart after she asks for a divorce. She is mentally breaking apart herself and fucking a slimy and murderous monster, who may or may not exist. And, that is either the cause or further causing of her mental deterioration or is just in her mind as a result of it. The wild film doesn't offer a lot of answers but is stylish, bloody, sexy, and repulsive. The gorgeous Ms. Adjani is an absolutely breathtaking vision gives a tour-de-force performance, including the now classic, infamous, and disturbing going insane scene involving dairy products being scattered. It must also be noted that Neil is as phenomenal as ever.

5. The Entity- Supposedly based on true events this is one of the best ghost movies of the 80s, as well as one of the scariest. Barbara Hershey gives a powerful performance of a young, single mother being continuously raped by an unseen force. The graphic attacks courtesy of the flick's furious soundtrack and Stan Winston's realistic FX make for a pulverizing gut punch to the audience.

4. The Evil Dead- Sam Raimi's first movie is one of the most exhilarating directorial debuts in genre history. A simple story of college kids stuck in a cabin and getting possessed by demonic forces is taken to the stratosphere thanks to a shit ton of style, a break neck pace, and a A LOT of blood and very graphic gore. Bruce Campbell makes his debut as Ash, one of horror's greatest heroes in this classic that is scary, fun, and gory as fucking hell. Combine this all with the incredible camerawork and you have one of the greatest unrated splatterfests ever made.

3. Ms. 45- The late and beautiful Zoe Tamerlis gives an incredible and tragic performance in Abel Ferrara's cult masterpiece. She plays a deaf/ mute girl who works in New York City's Garment District. She gets raped two times in a row in one day. She kills her second assailant and has a mental breakdown. Soon, all the scummy and sleazy men of NYC that crosses paths with are offed by her and her gun. Ranking among the finest of all NYC horror flicks, this psychological thriller is also the single greatest rape revenge film.

2. The Beyond- Lucio Fulci's greatest masterpiece, this atmospheric and splatter filled supernatural/ zombie classic is worthy of all the worship and love gorehounds and horror fans lap on it. There is little to no plot, beyond beautiful lady (Catriona MacCall) inherits a hotel built on one of the seven doors to hell (side note: this one was originally released in the US in a heavily butchered version as The Seven Doors of Death). Of course, the door is open and soon we get zombies, ghosts, killer spiders, and more. The blood flows, the gore flies freely, and the score is cool as fucking hell. The climax is rousing and exciting (and has one hell of a gore scene involving a gun and someone's head). Meanwhile, the ending, itself, is fucking classic.

1. The Howling- This classic is Joe Dante's best movie, which is saying a lot in of itself. It is also without so much of even the tiniest bit of doubt in my mind, the best werewolf movie ever made. It mixes humor and horror to perfection, with moments that are actually funny and others that are tense and scary. Rob Bottin's FX work is groundbreaking with his werewolves looking frightening and powerful. The first transformation scene is a classic and terrifying splatter moment, because Robert Picardo's Eddie is getting off on the transforming. The flick's climax is rousing, and the ending is yet another moment (of countless of ones) of pitch perfect decision making. There are so many great in-jokes that the movie is a true pleasure in repeated viewings. The cast is wonderful and the characters are truly memorable. Cause you see, this sexy, fun, and frightening classic has so many amazing attributes, that I could on and on. But, the simple point is this one is the best horror film of 1981.

What are your picks for the best horror movies of 1981? Let me know in the comments section below. And, be sure to click on the link directly below for the 1980 list!

The 10 Best Horror Movies of 1980

2/26/2016

Horror Crush: Isabelle Adjani

In continuing Women in Horror Month, this time on Horror Crushes we have one of the most beautiful women to ever grace film, in general: the flawlessly stunning French actress Isabelle Adjani.
Isabelle was born on June 27, 1955 in Paris, France to a Bavarian mother and Algerian father. She began acting at age 14 in 1970. She wouldn't appear in her first horror film till Wernor Herzog's critically acclaimed remake of silent classic Nosferatu. She played Lucy in said film. I am embarrassed to say I never saw it. But, even without having seen it, I can tell you that that is excellent casting!


Sadly, I didn't see her following horror movie, Tenement (1976), either. Directed by Roman Polanksi, it's another critical hit. I been meaning to see it for ages, but alas have yet to do so. But, I can say that she wears glasses in it and looks extra hot in them, I think.
 
Her next horror flick is 1981's French/ German flick Possession from the recently late/ great director Andrzej Zulawski. The movie was controversial and got on the infamous British Video Nasties list. It's not for everyone, but those with an open mind will find a fascinating and original movie; one that wonderfully mixes the arthouse drama with the splatter horror movie. It tells the tale of a hubby (an excellent Sam Neil, in what maybe my favorite performance of his) and his deteriorating marriage to his gorgeous and slowly unhinging wife (Adjani). She is cheating on him with some spiritual Euro-trash dude name Heinrich (Heinz Bennent). Oh and, she is also getting porked by a monster covered in blood and with cucumber-shaped head. Yup, you read that right.
Adjani is fucking amazing in her role. Both of them, as she also plays the beautiful and sweet teacher of couple's son Bob. There is a scene where she breaks down in a subway and has a slimey and bloody miscarriage. The movie is gory, artistic, and totally existential. It stands as bold and thoroughly different from anything else in the genre being made at the time. I personally think it gets better with viewings, and it's wild and bloody climax and dark ending make sure to leave it all on a high, if somewhat of a downer, note. Carl Rambaldi's make-up FX are also excellent. Getting back to Adjani, she is a special effect all her own, as she is frequently nude and, as I stated before, also screwed by her monster lover, in one shocking scene.
 
 
 
 
 She returned to genre one last time in the often forgotten remake to classic French horror movie, Diabolique. I barely remember anything about it, myself. The only thing that stuck in my mind was that some dude is married to Adjani and cheats on him with Sharon Stone. Both women are goddesses, but honestly, I wish they had appeared together in a better film. Not the worst thing, ever but useless, and like I said easy to forget.
I am a huge fan of hers, and there is no denying that with her fair skin, delicate features, sexy French accent, big, light blue eyes, and gorgeous body, she is true perfection. And, that she is also a great actress to boot, one with a very interesting, if a little short, filmography in the genre.