Entertainment Earth

1/31/2024

Job For A Cowboy Releases Absolutely Killer Video/ Single "Beyond the Chemical Doorway" from Forthcoming Metal Blade Release "Moon Healer" (Feb. 23.)

Photo by Chris Klumpp

Watch JOB FOR A COWBOY's "Beyond The Chemical Doorway" video HERE.

Experimental death metallers JOB FOR A COWBOY are pleased to unleash "Beyond The Chemical Doorway,” the latest single from their long-awaited new full-length, Moon Healer, set for release on February 23rd via Metal Blade Records. The release marks the iconic outfit’s first new full-length in a decade!


Moon Healer is a vivid illustration of what happens when creativity, aggression, and volatility tangle for the first time in years. Like the band’s critically adored, 2014-released Sun Eater offering, Moon Healer is musically multifaceted, unabashedly brutal, and compellingly conceptual. Featuring a newly refreshed and reinspired lineup of frontman and co-founder Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis, the band seamlessly picks up the mantle where Sun Eater left off.


Compared to past offerings, Moon Healer is as bone-crushing as JOB FOR A COWBOY has ever been. But it’s more consistent and conceptual, composed with the utmost enthusiasm and confidence. “The evolution of our sound has become a big part of the band,” Davy says. “As we mature as musicians, our tastes and interests naturally expand. With age comes more experience and ideas that we wouldn’t have considered in our earlier years.”


When discussing the lyrical genesis of songs like “Grinding Wheels Of Ophanim,” “Into The Crystalline Crypts,” and latest single, “Beyond The Chemical Doorway,” Davy’s writing gets cryptic and elliptical-sounding, part Philip K. Dick, part Timothy Leary. “I envision this as a death metal album born from the mystical confines of an alchemist’s laboratory. The music acts as potent potions, inducing hallucinogenic journeys that unlock the secrets of the universe.”



With “Beyond The Chemical Doorway,” Davy explores Gnosticism -- an occult teaching based on Gnosis, a state of transcendence achieved through intuitive, unconventional means -- by way of Hieronymus Bosch’s art. Elaborates Davy, “On Moon Healer, we unravel the dismal narrative of a close friend consumed by an unwavering pursuit of enlightenment. They achieve this through a compulsive embrace of hallucinogenic drugs. This storyline emerges from the foundation set in our earlier album, Sun Eater, delving deeper into the intricacies brewing within our friend's psyche.


“When under the influence of these drugs,” he continues, “this individual claimed to encounter entities and find themselves in indescribable worlds that defy rational comprehension. Many who undergo such experiences draw intriguing parallels between diverse facets of Gnostic philosophy, biblical depictions of angels, and the stages of Bardo Thodol delineated in the Tibetan Book Of The DeadIn the album's opener, 'Beyond The Chemical Doorway,' our friend vividly voices his hallucinations, recounting the experience of breaching forbidden, gnostic-like realms, with each account culminating in the utter unraveling of his being.”



Watch JOB FOR A COWBOY's "Beyond The Chemical Doorway" video at THIS LOCATION.

Watch the band’s previously released videos for “The Agony Seeping Storm” HERE and “The Forever Rot” HERE.


Moon Healer was produced by Jason Suecof (Death Angel, The Black Dahlia Murder, Deicide) at his Audiohammer Studios and is the first JOB FOR A COWBOY album to feature session drummer Navene Koperweis (ex-Animosity). Davy previously worked with Koperweis in the progressive death metal side project Fleshwrought, which released Dementia/Dyslexia through Metal Blade in 2010. Koperweis also worked as a session drummer for Machine Head and Whitechapel and is currently in the band Entheos, whose third full-length came out on Metal Blade in March 2023.


Moon Healer will be released on CD, digitally, and on vinyl in the following color variants:


Vinyl US:                          

Purple w/ Black Smoke

Blue And White Marbled

Pink And White Marbled

Magenta Marble (Independent Retailers)

 

Vinyl EU: 

Dark Purple Marbled (1000 copies)

Ice Blue Marbled (500 copies)

White w/ Purple Splattered (300 copies)

Blue/White Split Splattered (300 copies)


For preorders, visit: metalblade.com/jobforacowboy.


JOB FOR A COWBOY:

Jonny Davy - vocals

Al Glassman - guitar

Nick Schendzielos - bass

Tony Sannicandro - guitar


For JOB FOR A COWBOY coverage inquiries, contact liz@earsplitcompound.com.


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8/29/2023

Job For A Cowboy Is Back with Killer New Video/ Single "The Agony Seeping Storm"! Will Release First Album in a Decade Via Metal Blade in 2024!


Photo by Tom Couture

Arizona death metallers JOB FOR A COWBOY return after a near decade long hiatus with their brand new single and accompanying video for "The Agony Seeping Storm.” The track comes by way of the band’s first new full-length in a decade, set for release in 2024 via Metal Blade Records!

JOB FOR A COWBOY released their Sun Eater full-length in 2014. The record received an overwhelmingly positive response, with Decibel Magazine confessing, “Fuck it, I can admit when I’m wrong… while I was busy pointedly not paying attention to them, these deathcore progenitors actually became a pretty damn good band.” In a 4.5/5 review, Alternative Press championed, “a full-on progressive death metal band… the songs have progressive sweep and epic power, at times recalling Opeth’s heavier work,” adding, “Sun Eater is one of 2014′s best metal albums, period,” while Metal Injection hailed an album, “that will be a solid brick in the foundation of the death metal genre with no gimmicks or trends to back it up.”

Ten years later, the band returns with their most volatile work to date. The as-yet-untitled full-length is at once musically multifaceted, unabashedly brutal, and compellingly conceptual. First single, “The Agony Seeping Storm,” is a mathematically mind-blowing hybrid of bludgeoning death metal specializing in unconventional riffing that echoes the resemblance of legendary experimentalists like Cynic, Atheist, and Gorguts. A newly refreshed and reinspired lineup — vocalist Jonny Davy, guitarists Tony Sannicandro and Al Glassman, bassist Nick Schendzielos, and drummer (since 2020) Navene Koperweis — seamlessly pick up the mantle where Sun Eater left off.

Issues Davy, "‘The Agony Seeping Storm’ gives a slice of our upcoming concept record. Regarding the video, the band collaborated extensively with director K. Hunter Lumar (Digital Mile), while our bassist, Nick Schendzielos, co-directed. The concept was inspired by a close friend who embarked on a relentless quest for profound enlightenment through the incessant abuse of hallucinogenic drugs. However, as they delved deeper into their religious-like experimentation they began exhibiting symptoms of bipolar disorder and schizophrenia. They came to believe that they could access an alternate, esoteric reality through hallucinogenic intoxication, where they encountered gnostic and biblical figures and imagery.These songs reflect their thoughts, ideas, and experiences.”


Further info on JOB FOR A COWBOY’s new full-length will be revealed in the coming weeks. Stay alert!

JOB FOR A COWBOY’s official comeback show will take place at this year’s edition of Blue Ridge Rock Fest with additional live dates to be announced soon.

JOB FOR A COWBOY Live:
9/08/2023 Blue Ridge Rock Fest - Alton, VA

JOB FOR A COWBOY hails from Glendale, Arizona. Formed in 2003, the band's debut album, Genesis, was released in 2007, peaking at #54 on the US Billboard 200 and selling 13,000 copies in its first week of release. The second album, 2009's Ruination, sold 10,600 copies in the United States in its first week to debut at position #42 on the Billboard 200 chart! The band has been described by The New York Times as "an Arizona band with a guttural, brute-force sound descended (indirectly) from hardcore punk,” and a, "straightforwardly brutal act," by Rolling Stone Magazine. The band has appeared on numerous music festivals both stateside and abroad, including Sounds Of The Underground, Download Festival, Mayhem Festival, Summer Slaughter, Graspop Metal Meeting, and Wacken Open Air, among others.

JOB FOR A COWBOY:
Jonny Davy - vocals
Al Glassman - guitar
Nick Schendzielos - bass
Tony Sannicandro - guitar

For JOB FOR A COWBOY coverage inquiries contact liz@earsplitcompound.com.



12/31/2014

The 10 Best Hard Rock/ Metal Albums of 2014

And, so ends another amazing year for hard rock and heavy metal music. In many ways, this is always one of the hardest lists for me to do. I listen to so many different kinds of metal and so many bands, that whittling it down to just ten and putting them in order, no less, is extremely difficult (and more than positive to cause controversy among my readers). So many great bands, both new and old, put out some of their best, if not their absolute best work, yet, this year. Anyway, let the countdown (and, of course, arguing amongst you) begin now!

10. Carnifex- Die Without Hope- I have to say that when I first heard Carnifex, on their debut album, I didn't think much of them. They weren't bad, but didn't really catch my attention. I thought they were just OK. As time passed though, the band developed and grew. And, low and behold they release their best album yet. Die Without Hope is a deathcore masterpiece, and as such, one of the best in the sub-genre. Brutal, pissed-off, hateful, and filled with aggressiveness to spare. This one of the best albums released this year to fuel a truly savage moshpit. What works so well here is that, yes there are breakdowns. But, that isn't the only reliance of the album. There are some wonderful bits of melody that accompany the savageness, as well as genuine musicianship. I am very excited to see where the band goes from here!

9. Machine Head- Bloodstone& Diamonds- Machine Head continue to release one modern classic after another. I honestly don't think any sane metalhead with discernible taste will argue that the last two albums before this one aren't classics. And, guess what? This one is even better than Unto the Locust! And, it's one of those album that just gets better with each and every listening. Technically sound, with a great mix of the melodic and totally adrenalinizied heaviness, as well as some of my favorite lyrics of the year, is this groove metal at its very finest. 




8. Slipknot- .5 The Gray Chapter- After the passing of bassist and founding member Paul Gray and the departure of drummer extraordinaire Joey Jordison, my expectations for the next Slipknot album were very low. So imagine my surprise, when I hear this album, and it's not only amazing, but ranks among their finest work, ever. It's the perfect mix of both their more melodic work and their heavier and more vicious output. Some of my favorite tracks of the year come from here, including one of the catchiest yet definitely ass kicking singles of the year in "The Devil in I". Plus, the album also serves as a loving tribute to Gray. In all, another classic from a band that has given us many.


7. Job For A Cowboy- Sun Eater- One band that just gets better and better with each every one of their releases, is this one. The album before this, Demonocarcy, was a huge leap in quality for the band. But, I never expected them to reach this optimum level and manage to give us a top 10 of the year album! A technically amazing and complex mixture of brutal death metal and progressively complex songs, this is a band that has grown and matured so much, since their now long gone deathcore days. A perfect example of band that is the future of metal living up that moniker.




6. Suicide Silence- You Can't Stop Me- Like Slipknot, this is a band that I questioned their decision to keep going after the loss of a founding member. Perhaps, I questioned it even more here, as Mitch Lucker was one of most important and beloved figures in deathcore. Well, low and behold, the addition of their new signer, Eddie Hermida has worked excellently for them. They have put one of the very best albums of their career, and in doing so have given us a new subgenre classic. Groove filled, angry, and sure to get you pumped YCSM is this band at their very best. And, considering they are one of the founding fathers of this kind of metal, it is saying a lot. Throw in guest appearances by the respective signers of Cannibal Corpse and Dillinger Escape Plan, and you have one of the most exciting metal albums of the entire year.

5. At The Gates- At War with Reality- Much like last year's release by Carcass, Surgical Steel, these masters of melodic death metal, hadn't put out a release in many a year. But, while, a part of me was hesitant of it, I was very excited for it. And, when I heard that they were going, I got excited hoping that they would give us the type of musicianship that made Slaughter of the Soul a genre defining classic. And, well, man did they ever deliver, just that! And, then some!! Here is the very definition of an album that gets better with each listening. They have made the kind of melodic death metal album that many others strive for but few achieve. This is, I predict, an album that will be looked upon as a classic in the years to come.


4. The Pretty Reckless- Going to Hell- Taylor Momsen already showed much maturity and genuine talent in the band's debut, Light Me Up, a few years back. Well, on their second release they got even better, giving us what is effectively the best hard rock album of the year. Rebellious, smart, hard rocking, and, at times, heartfelt and beautiful, TPR prove that they are a force to be reckoned with. This album has some of the catchiest songs we heard the entire year, like the title track, "Going Down", and "Absolution", the later being perhaps the best rock song written this year. Also further proving her maturity there is a song with anti-gun message in "Why'd You Bring a Shotgun to the Party?" or a deeply dark look into child abuse in "Sweet Things". You tell me of another rock album achieved this all that this year!

3. Triptykon- Melana Chasmata- As dark and bleak of a quality album as you are likely to have heard this year, Melana Chasmata immerses you it's black as fuck atmosphere. Tom Warrior makes his most recent band's second release even better than the album that preceded it (Eparstera Daimones). With long, complex, moody, and crushing music, this one stands head over shoulders of any band even remotely like this. This is a supreme recording of dark and gloomy blackened doom metal that will please the blackest depths of your soul.




2. Whitechapel- Our Endless War- The best deathcore, or any kind of "core", album of the year is also one of the finest releases of the subgenre ever. Whitechapel, without an argument one of the absolute best bands of this kind, has crafted a mature and aurally pleasing album that is way beyond what most of bands like this do in their entire career. Crushing, angry, violent, brutal, and savage, this is this year's definitive soundtrack to an ass whooping. The album hooks you with it's bouncing groove, crushes you with it's heaviness, then delivers multiple death blows with it's utter vicious. Songs like the title track, "The Saw Is the Law", "Let Me Burn", and the dark, brooding, and explosive track, "Digg's Road" rank among the most pummeling, yet completely catchy songs of the entire year.

1. Behemoth- The Satanist- After lead singer/ guitarist/ founding member Nergal won his battle with leukemia, his blackened death metal act came back with their finest release, yet. Which considering the quality of the all the albums they put out before this is saying a fucking lot! Crushing, dark, evil, and heavy music combine with the band's always present Satanic and blasphemous lyrics. There is a continuous feeling of suffocating darkness and ungodly bleakness and anti-christian anger that combine with music that is alternately fast and furious and/ or slow and pounding. Most of the songs on the album of an average length, save for the gloriously evil album closer that is the final track "O Father O Satan O Sun!". Said song is quite simply put the best song written about Lucifer released the entire year. All hail the mighty Behemoth!

Honorable Mentions:
AC/DC- Rock or Bust
Body Count- Manslaughter
Monuments- The Amanuensis
Devil You Know- The Beauty of Destruction

Sister Sin- Black Lotus 
Crosses (++++)- S/T
Godflesh- World Lit Only by Fire


6/21/2014

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 9: 90-81

90. Job For a Cowboy- Demonocracy- The third album by this American death metal act is not only their best work, too date, but their coolest cover, too. The lady justice with a Danzig like skull over the top of her head and has her scales being tipped over by some fucked up shit. Symbolism at it's best and most awesome!






89. Judas Priest- Screaming for Vengeance- The eight studio album by these masters of metal was their commercial breakout, and one of their finest works. It's robotic eagle cover is just as iconic as it is.








88. The Black Dahlia Murder- Nocturnal- The third album by one of my favorite death metal is their best, I think. It's cover of a creepy, gothic castle in some dark, seemingly desolate place, may also be their best cover.







87. Doro & Warlock- Rare Diamonds- This compilation album of songs from both Doro and Warlock has a beautiful cover were the metal goddess is surrounded by images from both of her bands. It's both magical and stunning.







86. Body Count- Body Count- The debut album from Ice-T's thrash/ crossover metal band may have caused a ton of controversy (thanks to the infamous "Cop Killer" track, of course), but it should be remembered for being such a truly, pun not intended, KILLER album!! It's reason for being on this list, though, is its' cool and badass cover of a gangbanger with a gun and chain. Tatted on his chest is the words COP KILLER, which when the track was taken off of it in subsequent releases, was changed to simply BODY COUNT. But, as always, I post the uncensored/ original, so fuck those offended.

85. Testament- Practice What You Preach- The third studio album by these thrashers is one of their best work. And, the cover to it, featuring a group of statues that have endured time and are still standing tall, is really beautiful and a distinct opposite to a lot of other thrash metal album covers.






84. Ozzy Osbourne- The Ultimate Sin- The third studio by the Ozz-man has one of my favorite tracks by him (the title one), as well as one of my favorite album covers, of his. The fantasy like image of a rocker hottie in leather pants raising some demon, with Ozzy's face, from a hellish world (that even has a nuclear mushroom cloud in it!) is totally metal!





83. Iced Earth- Horror Show-The sixth studio release from this band is a love letter to classic horror movie monsters. As such their mascot is seen over a creepy castle and grave.








82. Atryeu- The Curse- The second studio from this metalcore act has gorgeous model, Natalia Delano, as vampire. It's a sexy and cool picture, which inspires many a naughty and dark fantasy in me.







81. Warlock- Triumph and Agony- The forth and final studio album by this German metal band has a warlock in the background as as well as the actual picture, holding on to, and seemingly copying a feel on, the gorgeous Doro Pesch, herself. Beautiful and awesome art!






The 175 Greatest Heavy Metal Album Covers of all Time Pt. 7: 110-101 

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 6: 120-111 

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 5: 130-121

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 4: 140-131 

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 3: 150-141

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 2: 160-151

The 175 Greatest Heavy Metal Album Covers of all Time Pt. 1: 175-16