Entertainment Earth

8/26/2026

The Official Horror Crush Database — Part 1: The Numbers Behind the Crushes (2011–2026)


Welcome to the first annual Official Horror Crush Database!

Since 2011, I have been paying homage to the beautiful and talented actresses who have contributed to the horror genre. Now, for the first time, I’ve gone back through the entire Horror Crush collection and compiled the numbers behind the crushes!

These results cover the 94 women who currently comprise the database, from the very first inductee, Jill Terashita, to the most recent addition, fellow Canadian beauty Laura Harris. This is an idea I’ve been playing with for years, but my recent seven-month hiatus and return to the site finally inspired me to go through with it.

Part One focuses on the more basic statistics and demographics of the database, giving us a look at the numbers behind these 94 actresses. Part Two will take things much further, diving into the fun, surprising, and sometimes downright wild facts and connections that came up during the research.

I think some of the numbers will surprise my fellow readers, while others will probably turn out exactly as you expected. Either way, there were definitely a few results that caught even me off guard!

So, sit back, enjoy, and let’s take a look at The Numbers Behind the Crushes!

Let's begin by looking at the countries of origin represented in the Horror Crush Database. While the top two countries were pretty much what I expected, some of the results further down the list were genuinely surprising to me. It was interesting to see just how much international representation has made its way into the database over the years.

🌎 Where Are They From? — The Countries Behind the Crushes

Country    Actresses    Percentage
🇺🇸 United States    67    71.3%
🇨🇦 Canada    8    8.5%
🇦🇺 Australia    4    4.3%
❓ Unknown    4    4.3%
🇩🇪 Germany    3    3.2%
🇧🇾 Belarus    1    1.1%
🇫🇷 France    1    1.1%
🇬🇷 Greece    1    1.1%
🇮🇹 Italy    1    1.1%
🇲🇽 Mexico    1    1.1%
🇵🇱 Poland    1    1.1%
🇷🇺 Russia    1    1.1%
🇬🇧 United Kingdom    1    1.1%
TOTAL    94    100%

It comes as no surprise that the US of A takes the top spot, since the majority of movies, horror included, come from us. That makes this result a given, so, instead let's jump right to:

🥈 Canada officially takes silver!


8 Canadian Horror Crushes = 8.5% of the entire database.
I definitely expected our friends up North to take silver. After all, their involvement in the genre and the fact that it is home to some of the most beautiful women in the world, made me confident of these results.

The Canadian contingent is:

And Australia takes bronze with 4:
This one really surprised me. And, yes there is while there is no denying that Australia not only has some gorgeous women but also also many actresses hail from the Land Down Under. Still, I had never realized just how many of them were in the database!

❓ Unknown: 4

You can think of these results as the actress equivalent of when The Ultimate Warrior would come out to wrestle and be introduced as being “from parts unknown!” 😂 Except this is real life!

In all seriousness, I had no idea the database contained this many actresses whose countries of origin are unknown. Then again, when you consider that some of these women are obscure even within the horror community, it actually makes a lot of sense. Some of these actresses have very little biographical information available about them, making their origins surprisingly difficult to track down.

  • Courtney Taylor
  • Suzanna Ling
  • Elise Richards
  • Almanta Suska

  • Lorraine De Selle being our sole Italian representative is honestly one of the most surprising results to me. Considering my love of Italian horror—and especially the women who appeared in those films—I expected Italy to have a much stronger showing in the database. It turns out that Italian horror productions often featured actresses from other parts of Europe instead.

    It will be interesting to see whether this statistic holds up in the years to come as the Horror Crush Database continues to grow. Perhaps Lorraine will eventually get some fellow Italian company! 

    And now, we get to the classic battle of Betty vs. Veronica (vs. Cheryl)! It's time for the blondes, brunettes, and redheads to go head-to-head and see which hair color dominates the Horror Crush Database!

    💇 Hair color

    🤎 Brunette — 53.2%
    💛 Blonde — 40.4%
    ❤️ Redhead — 3.2%
    🎨 Multiple/variable — 3.2%

    In other words:

    🤎 Brunettes Win — This is honestly where the idea for this entire category was born, as I kept wondering which hair color was the dominant one in the database. It is fun to see brunettes come out on top. Yay for the Veronicas of the horror world!

    💛 Blondes Take a Strong Second — They put up a good fight and came close, but ultimately our golden-haired beauties could not overcome the ladies with the darker locks.

    ❤️ Redheads Remain a Very Small Minority — We all love redheads, but unfortunately there just aren't that many of them in the genre. Just as natural redheads are rare in the real world, they are also a rarity in the cinematic world of horror.

    🎨 Multiple/Variable Hair Colors — This small category covers actresses such as Jane Levy and others whose hair color has varied significantly throughout their careers, allowing the database to avoid forcing them into a single potentially misleading category.

    And, now for another section that I have long wondered about, which is the era that not only dominates the database, but also where do the other eras compare to it:

    📅 When Did They Rule Horror? — The Primary Eras of the Crushes

    Primary horror era        Actresses        Percentage of 93
    🕰️ 1980s        37        39.4%
    📼 1990s        31        33.0%
    💿 2000s        28        29.8%
    📀 2010s        26        27.7%
    📼 1970s        11        11.7%
    💻 2020s        10        10.6%

    And the big takeaway: the 1980s rule! Which is honestly exactly what I expected once I started working through and crunching the numbers. When you think about just how massive that decade was for the horror genre, it makes even more sense that the ’80s would come out on top.

    It is also important to mention that these percentages intentionally exceed 100% collectively, because many actresses have legitimate horror credits across multiple decades. We are measuring database era representation, rather than assigning every actress to one—and only one—decade.

    At the same time, an actress can have horror work spanning multiple decades, while her primary era represents the decade in which she had the largest or most significant concentration of horror work. Later credits can still contribute to her overall career totals without necessarily changing that primary-era designation.

    In other words, determining an actress's primary era is essentially handled on a case-by-case basis, taking the full scope of her horror career into account.

    And, now here is another fun bit of results as we look into what subgenre is the one that the most amount of Horror Crushes worked in:

    🔪 What Kind of Horror Do They Love? — The Most Represented Subgenres

    👻 Supernatural — 58
    🔪 Slasher — 40
    👹 Creature — 27
    🤖 Sci-Fi — 24
    😂 Horror Comedy — 21
    🔥 Possession/Demonic — 19
    🧛 Vampire — 18
    👁️ Psychological — 12
    🧟 Zombie — 11
    🩸 Giallo — 3

    This is one result that definitely surprised me. While I am a monster kid first and foremost—come on, I grew up watching Godzilla, Hammer, and Universal movies on television as a kid—I had a feeling there weren't quite as many creature features in the database compared to slashers, which I thought for sure would slice their way to the top.

    Well... I was wrong. 😂 It turns out that the horrors of the supernatural world dominated the results, which was definitely not what I expected.

    Equally interesting is another statistic that continues to baffle me: despite my love of Italian horror, there are only three giallo representatives in the entire database! That's pretty crazy in my book. 

    Well, that's for this part of the database numbers.

    Be sure to stay tuned for Part Two, where we dive even deeper into the database for some truly fun, wild, unexpected, and quite literally WTF results! Trust me, this is where things are going to get really interesting. 😈

    A Note on the Research: The statistics in this article were compiled from my Horror Crush Database and researched with the assistance of AI. It was used as a research and organizational tool to help analyze the data, cross-reference information, and crunch the numbers, while the final classifications, methodology, and decisions regarding the database remain my own.

    8/13/2026

    Horror Crush: Laura Harris


     It's time for another gorgeous and talented lady to get inducted into Horror Crushes. Today we add one of my biggest 90's crushes in the absolutely stunning Laura Harris!

    Laura Elizabeth Harris was born on November 20, 1976. She was born and grew up in Metro Vancouver, British Columbia. Also, this serves as yet a friendly reminder that Canadian women are truly gorgeous! Any who, both of her parents were actually schoolteachers, She began acting at the mere age of five doing CBC (Canadian Broadcast Corporation) Radio Dramas and cartoons. During her childhood she attended Crofton House School in Vancouver. Post her move to Los Angeles, she attended psychology corresponding classes while in college.  

    Her first foray inro horror happened when she appeared in the It mini-series in 1990. This was definitely the first thing I saw her in, but I don't remember her in it. Truth be told, I have not watched it since it first aired on TV.

    She would return to TV horror with one of my favorite episodes from my favorite series of all tine: The X-Files with "Die Hand Die Verletzt". This one is from the second season and involves Satan worship and black magic. So yeah, it is absolutely right in my wheel house. And, while I've watched this episode I don't really remember her role. But, I feel like I would've totally have found her to be a cutie, especially during my first watch as a teen.


    In 1997, she did double genre duty for two syndicated shows: The Outer Limits and Poltergeist: The Legacy. I never really watched the former, but I did watch the Poltergeist series. Though, I am hard pressed to remember of anything about it, much less Harris' role in it. She would actually return to The Outer Limits in 2001 and appear in a second episode.

    In 1998, she appeared in The Faculty, the movie where I first really noticed and is the main reason she got this induction. Directed by Robert (Planet Terror) Rodriguez directed and Kevin (Scream franchise) Williamson wrote this very 90s teen sci-fi/ horror flick. Done at the height of the Scream style slasher flick, it was nice to see that at least this one was a monster movie and not a stalk and slash flick.


    In this tale of teens who realize that their teachers and school faculty are acting weird and shit. And, that's cuz they are really aliens who haven taken them over! It's very much a rip-off of Invasion of the Body Snatchers, and falls under a lot of style and feel of this era. But, it is a decent time killer, even if much of it is a little to clean in execution and finalization for my more my more gritty and nasty tastes.


    Harris plays new girl Marybeth Louise Hutchinson. She is really great in the role, as she comes off as cute, sweet, as well as sexy and dangerous. Her character is honestly my favorite in the movie. She is certainly the most aesthetically unforgettable character. Cuz, she does something no one from the Scream school of horror did: she got nude! That scene has lived rent free in my mind ever since I saw the movie in the theaters. Even while a lot of the movie kinda slipped into mental oblivion, that did not. In fact, as I said in the intro, sealed Harris as one of my biggest late 90s Horror Crushes!





    While, not actually horror, it is worth mentioning that she did appear in a total of 24 episodes of Dead Like Me (2003-2004). It's one of my favorite, underrated shows with a great mix of dark humor and an excellent cast and writing. She played Daisy Adair, who is a grim reaper.

    Between 2005-06, she did a total of three episodes of The Dead Zone, playing the character of Miranda Ellis. Again, it has some twenty years since I watched this show, so I don't remember her character. But, I know I did enjoy the show while it was running.

    2006 also saw her do her final feature length genre flick with the awesome but severely underrated horror/ comedy Severance. This one comes from wrier/ director Christopher Smith, who made his debut with his masterpiece Triangle (which stars fellow Horror Crush inductee Melissa George). I actually first saw this one for work years ago. And, when it hit special edition Blu-Ray I was beyond happy to finally revisit it. And, man, it is as great as I remember it being!

    This British flick tells the tale of a sale team from an arms corporation that goes on a corporate retreat. The problem is they encounter a group of whacked out killers, who begin to take them out one by one. It is such a fun movie, one that is suspenseful, gory, and, at times, utterly hilarious. And, like the best horror comedies, it works cuz it takes the horror seriously. It really needs to be seen by more people.

    Harris plays the lead role of Maggie. She is so good in this role and looks great, of course! It really made me wish that she had done more horror feature length movies. But, as of this writing this stands as her best movie, that I have seen her in.

    Her final horror credit is the animated movie Underworld: Endless War. It is an animated anthology movie made up of three stories. Despite, being a fan of this franchise, I gotta admit I never saw it, hell, I am not even sure I remember it coming out! Regardless, she does the voice of Selene (Kate Bekinsale's character in the movies), which is pretty cool, if you think about it!

    So, before I started this post I didn't think Harris had done a lot of horror. And, while from a feature standpoint that is the case, she did do a lot of TV work. The movies she did do, include a favorite among fans of late 90sb teen horror and an absolutely great horror/ comedy, solidify her place in horror history. She, herself, is a gorgeous and talented blonde beauty with stunning blue eyes, who is great in any role she is given. And, with that we are pleased to add Laura Harris to Horror Crushes!

    7/29/2026

    July 31st - Aug 2nd - Loud As Hell Open Air Festival 2026 (Drumheller, AB) w/ Fallugah, Allegaeon, and more!

    LAH 2026 Lineup Spotify Playlist - https://open.spotify.com/playlist/1Nbkvo4kG0ePTcsCVl2V2T​

    Renowned for unleashing one of Western Canada’s most punishing festival experiences, Loud As Hell Open Air Festival returns with another year of crushing performances, freak shows, burlesque acts, clinics, vendors, and, naturally, dinosaurs.

    Loud As Hell isn’t just a festival; it’s a full‑throttle celebration of metal chaos. Set against the rugged expanse of Alberta’s badlands, where carved sandstone, towering hoodoos, and sweeping canyons dominate the horizon, Canada’s loudest extreme‑music gathering unveils its 2026 lineup featuring FALLUJAH, ALLEGAEON, SUMMONING THE LICH, GRAVEMASS, CRIMSON SHADOWS, STARKILL, SUPER MONSTER PARTY, MOURNING HIGH, EDGE OF PARADISE, and many more.

    Hosted in Drumheller, AB, from July 31st to August 2nd at the Dinosaurs Down Stampede, the festival’s 14th edition erupts with the ferocity of rising Canadian and international metal acts. This year’s roar echoes through the heart of the country’s largest dinosaur fossil beds, promising an unforgettable weekend of pure sonic devastation.

    Weekend Passes (July 31 - Aug 2) are available at https://loudashell.ca/shop/​

    This weekend pass grants you full access to all the headbanging, moshing, and metal mayhem that Loud As Hell Open Air offers.

    Headlining the closing night of the festival are progressive death‑metal titans Fallujah, who released their sixth studio album, "Xenotaph," on June 13, 2025, through Nuclear Blast Records. The band describes it as their most technical, dynamic, and progressive work to date, expanding on the direction set by "Empyrean" while exploring a sci‑fi conceptual landscape.

    Album Stream - Xenotaph - https://www.youtube.com/watch?v=p30_S3d5pCQ​

    Headlining night two of the festival, Allegaeon brings a razor‑sharp fusion of technical mastery and soaring melody to the stage. Their sound balances blistering precision with sweeping, emotionally charged songwriting. With the return of original vocalist Ezra Haynes, the band has entered one of its strongest eras yet. Their performances are known for being both surgically tight and explosively energetic. On any festival bill, Allegaeon stand out as a powerhouse of modern melodic death metal.

    Music Video - Waking Circles - https://www.youtube.com/watch?v=u69dc2UIE-w​

    Headlining opening night, Summoning the Lich is a fantasy‑driven technical death‑metal band from St. Louis, known for blending high‑speed precision with rich, lore‑heavy storytelling. Their latest album, "Under the Reviled Throne," was released in July 2024 via Prosthetic Records. The record expands their ongoing dark‑fantasy universe, raising the stakes with a more focused, streamlined approach to songwriting. They’ve spent the past three years touring extensively across the U.S., sharing stages with Allegaeon, Gorod, Inferi, Vale of Pnath, and Abigail Williams. With their explosive live energy and cinematic world‑building, Summoning the Lich brings a uniquely immersive, high‑intensity presence to the festival lineup.

    Music Video - My Horrors Unending - https://www.youtube.com/watch?v=25omoUK_JLI​

    Other band highlights on this year's lineup are Gravemass, channeling a bleak, ritual‑driven strain of black metal that feels carved straight from the void. Their sound fuses suffocating atmosphere with an unrelenting, punishing intensity. With their debut album "This Is the Way" on the horizon this coming March 2026, the band is poised to push their occult‑laden vision into a new chapter. Onstage, they deliver a hypnotic and overwhelming presence that pulls crowds deep into their darkness. On any festival lineup, Gravemass stands out as a grim, commanding force built for total sonic devastation.

    Music Video - This Is The Way - https://www.youtube.com/watch?v=sR9gy-AD8-E​

    Crimson Shadows return with their signature blend of high‑velocity melodic death metal and triumphant, power‑metal‑infused storytelling. Their newest chapter is fueled by fresh material and renewed momentum after years of silence. The band continues to sharpen their heroic, battle‑driven sound with soaring melodies and relentless speed. Their live performances erupt with anthemic energy built for massive festival crowds. Crimson Shadows stand out as a blazing force of epic, melodic fury.

    Music Video Defenders of the Crown - https://www.youtube.com/watch?v=x9S0Wyat6Uw​

    Starkill continues to refine their blend of melodic death metal and symphonic power metal with renewed force. Their most recent release is the 2025 re‑recorded edition of “Be Dead or Die,” highlighting their updated sound and lineup. The band has remained active onstage, including late‑2025 U.S. shows and appearances at events like Mad With Power Fest. They’ve also teased new music in development, signaling more to come.

    Music Video - Be Dead or Die - https://www.youtube.com/watch?v=TFq9b_3E7ug​

    Super Monster Party explodes onto the stage with a high‑energy fusion of metal, punk, and chaotic party‑themed theatrics. Their sound is fast, fun, and unapologetically wild, built for crowds that want to move. The band’s over‑the‑top performances turn every set into a full‑blown spectacle. They’ve been gaining momentum across the underground scene with their tongue‑in‑cheek intensity and infectious hooks.

    Music Video- Test Your Might - https://www.youtube.com/watch?v=hl9biyqu3qk​

    Mourning High is a rising force from Arizona/ California, blending crushing heaviness with emotional, melodic intensity. Their sound moves between atmospheric tension and hard‑hitting riffs, driven by powerful vocal dynamics. In 2025, they won the Wacken Metal Battle USA, earning a coveted performance slot at Wacken Open Air and making a strong international debut. Their live shows hit with raw energy and vulnerability, pulling crowds in immediately.

    Vendetta - https://www.youtube.com/watch?v=In6unLebvLM​

    Edge of Paradise is a cinematic hard‑rock/metal force from Los Angeles, known for their fusion of electronic textures, industrial edge, and soaring melodic hooks. Their newest album, "Prophecy," was released in March 2025 via Napalm Records. The record marks their sixth studio release and explores themes of AI, humanity, and the looming “Singularity.” The band remains active on the road, including 2026 festival appearances such as Hyperspace Metal Festival in Vancouver and Rock in Rautheim in Germany. With their cinematic soundscapes and high‑energy performances, Edge of Paradise bring a futuristic, electrifying presence to the festival lineup.

    Music Video - Falling Light - https://www.youtube.com/watch?v=pAxGA5ogRv0​

    LOUD AS HELL OPEN AIR 2026​
    ​
    ​
    Thursday, July 30 – Kick-Off Party​
    Art Of Attrition (Red Deer, AB)
    Fall Of Earth (Edmonton, AB)
    All Was Lost (Edmonton, AB)
    The Judge The Juror (Edmonton, AB)
    ​
    ​
    Friday July 31​
    Summoning The Lich (St. Louis, MO)
    Circus Of Hell – Freak Show (Peace River, AB)
    Starkill (Chicago, IL)
    Iron Kingdom (Vancouver, BC)
    Hazzardous Material (Burlesque Alberta)
    Edge Of Paradise (Los Angeles, CA)
    W.M.D. (Vancouver, BC)
    Citizen Rage (Calgary, AB)
    Supermodel Taxidermy (Fort McMurray, AB)
    ​
    ​
    ​
    Saturday, August 1​
    Allegaeon (Fort Collins, CO)
    Damn Coyote Chris (Grande Prairie, AB)
    Gravemass (Vancouver, BC)
    Hazzardous Material - Burlesque (Alberta)
    Death Toll Rising (Edmonton, AB)
    Super Monster Party (South Florida)
    Autumn Lies Buried (Clarksville, TN)
    Selias (Toronto, ON)
    Cyanate (Reno, NV)
    Arrow In The Quiver (Vancouver, BC)
    Brain Stem (Edmonton, AB)
    Shackled To The Throne (Edmonton, AB)
    Crimson Caliber (Medicine Hat, AB)
    Enduring The Fall (Edmonton, AB)
    Decrepitation (Edmonton, AB)​
    ​
    ​
    Sunday, August 2​
    Fallujah (San Francisco, CA)
    Circus Of Hell - Freak Show (Peace River, AB)
    Crimson Shadows (Toronto, ON)
    Hazzardous Material Burlesque (Alberta)
    Mourning High (Arizona/California)
    Divinity (Calgary, AB)
    Dawn Vally (Toronto, ON)
    Red Raven Chaos (Montreal, QC)
    Spectre (Winnipeg, MB)
    Die Another Day (Calgary, AB)
    Unsilenced (Winnipeg, MB)
    Devolver (Grande Prairie, AB)
    Ditch Pisser (Alberta/BC)
    Hellrager (Cornwall, ON)
    Reject (Saskatoon, SK)

    Since launching in 2012, Loud As Hell Open Air Festival has cemented its place as a cornerstone of Canada’s extreme music scene, showcasing hundreds of bands from across the country and around the world, save for a brief pause in 2020 due to the COVID-19 pandemic. Over the years, the festival has hosted heavyweights like Revocation, First Fragment, Beyond Creation, Striker, Green Jelly, The Convalescence, Jungle Rot, Narcotic Wasteland, Into Eternity, Goatwhore, Fit for An Autopsy, Archspire, Unleash The Archers, Protest the Hero, AngelMaker, and many more, drawing metalheads from coast to coast for a weekend of sonic devastation.

    More info:
    ​
    LoudAsHell.ca​
    ​
    Facebook.com/LoudAsHellFestival​
    X: @LoudAsHellFest
    Instagram: @LoudAsHellFestival
    ​
    Social Media Hashtags #LAHXIV, #LAHOA, #LAHOA2026

    LAH Partners:​
    WCMFA – Western Canadian Metal Festival Alliance
    Asher Media Relations
    Bravewords
    Metal-Rules
    Absolute Underground Mag
    Ghost Cult Magazine
    This Day In Metal
    Valley Brewing
    Canalta Hotels
    Neighbours’ Corner Pub
    Prairie Fire Productions Ltd
    CFUV 101.9 Thrash Can
    Slimbztv
    High Voltage TV
    Through The Looking Glass Photography
    Heavy Metal A Way Of Life
    QMR (Queen Metal Radio)
    BrokenNeckRadio

    – 30 –

    What the press is saying:

    "Located an hour and a half east of Calgary is the town of Drumheller, Alberta. With a population in the neighborhood of 8000 and existing smack dab in the middle of Canada’s desert and dinosaur country, it’s not a place one would immediately associate with any sort of metal scene, let alone a big-ass outdoor metal fest. But that’s where you’d be wrong. Going into its 11th year, the Loud as Hell Festival is set to roll on August 4-6th with the likes of Narcotic Wasteland, Jungle Rot and Incite headlining three days of metallic fun featuring 40 or so bands, including The Convalescence, Gorgatron, Necronomicon, Untimely Demise, Eyes of Perdition and more." - Decibel Magazine

    “Western Canada’s loudest heavy metal festival brings fans to town more known for dinos than drum solos.” – CBC Calgary

    "What's more metal than the badlands? Drumheller, AB, is known for being the dinosaur capital of the world — but it's also the home of the Loud as Hell festival, an event celebrating none other than the loudest music known to man (and, by proxy, prehistoric reptile)." - Exclaim!

    “Loud as Hell – one of Canada’s top underground metal festivals – was a metal family reunion. If you walked around the grounds, where tents covered the landscape like flowers, you would experience concert goers laughing, hugging and just enjoying the moment. The music played non-stop and the people were some of the best you’ll meet. What else do you need? If you’re a metalhead fan, mark it down for next year because this is a concert you don’t want to miss.” – Blackfalds Life

    “Headbanger alert: Loud As Hell festival to ramp up the volume” – Calgary Herald

    “Nevermind the bug spray and sun tan lotion, as August approaches Drumheller residents should stock up on earplugs.” – Calgary Herald

    “Loud As Hell returns to the southern Alberta city for its seventh year and as its name implies, will rock the city to its core.” – Calgary Herald

    “Loud as Hell has celebrated eight years in the Badlands to date, with acts from all over the world-shattering the peace and quiet of the hills in a camping and music extravaganza.” – Hanna Herald

    “Drumheller with its dinosaur bones is the site of the annual Loud as Hell heavy metal festival Friday through Sunday. Dozens of the heaviest bands known to Man will be taking the stage, many of them Canadian” – Gig City​
    ​

    6/08/2020

    Anvil Will Perform At the First Canadian Metal Streaming Event On July 4, 2020 In Quebec City

    Presented by District 7 Production & L'Anti Bar & Spectacles


    Back in February, Canada’s Anvil released a new album “Legal At Last” celebrating the legalization of recreational cannabis use in the country. To support this album, the heavy metallers had a very thorough tour planned in the UK and Germany, with an assortment of other stops along the way. Unfortunately, like everyone else, COVID-19 stopped the tour in its tracks.

    Still looking to bring their new album and to fans around the world they will be performing on the first Canadian heavy metal live stream put on by District 7 Production and L'Anti Bar & Spectacles on July 4th, 2020. The event organizers see this as a win-win situation for everyone. They go into more detail:

    “I was wondering how to make L'Anti Bar & Spectacles live again in the midst of a health crisis. I’ve been presenting virtual live shows with a ticket office since May 9. The first shows were appreciated by the spectators, we sold hundreds of tickets across Canada and in Europe during our first virtual shows. I wanted to present the first virtual metal show in Canada. I thought Anvil would be the perfect band for this show. I have an excellent relationship with them; the members of Anvil accepted without hesitation. Spectators should expect a virtual show with impeccable production quality in terms of sound, image, and lighting.”

    Capturing the attention of audiences worldwide with their 2009 documentary film “The Story Of Anvil”, which bares all about the reality of the music industry, Anvil has been rocking stages since 1978. Once again, fans will be able to enjoy Anvil from the comfort of their own homes.

    The stream will be available worldwide via platform thepointofsale.com plus can be viewed using Chromecast on TV.

    The event will begin at the following times: Saturday, July 4th at 5pm (EST), 10pm (UK), 11pm (CET) and Sunday, July 5th for 6am (JAP), 7am (AUS).